
The Rise & Fall (180g Heavyweight)

OVERVIEW
The Rise & Fall by Madness is an album that occupies a curious and compelling space within the band’s discography. Originally released in 1982, the record marked a turning point for the British group known primarily for their upbeat ska-pop and wry lyricism. While Madness had already achieved commercial success with earlier albums like One Step Beyond… and Absolutely, The Rise & Fall revealed a band willing to delve deeper into more complex themes and musical experimentation. The 2021 reissue on 180g heavyweight vinyl offers fans both new and old the chance to re-engage with what many regard as Madness’s most ambitious and introspective work.
This reissue, pressed with care and attention to audio fidelity, brings out the nuanced production of Clive Langer and Alan Winstanley in vivid detail. On this format, the textures of the album stand out more sharply than ever—the rich brass sections, quirky keyboard flourishes, and layered vocals all given room to breathe. The warmth and depth of vinyl enhance the moodiness and variety of the tracks, providing a new appreciation for just how far the band had come musically by 1982. Madness was often seen as a band of cheerful misfits, but The Rise & Fall paints a fuller portrait of their artistic scope.
At its core, the album captures a sense of nostalgia tinged with melancholy and unease. Songs like “Our House,” the album’s best-known track and a massive international hit, offer an affectionate yet realistic look at suburban British life. Rather than idealizing the past, the lyrics express a bittersweet sentiment—celebrating the comforting routines of family while acknowledging the complexities beneath the surface. This duality is a recurring theme throughout the record. On “Blue Skinned Beast,” the band takes a surprisingly pointed jab at then-Prime Minister Margaret Thatcher, blending carnival-like instrumentation with scathing political critique. “Primrose Hill” and the title track “The Rise & Fall” are more meditative, reflecting on childhood, memory, and the passage of time with a maturity that sets the album apart from earlier efforts.
Musically, The Rise & Fall is also a leap forward. While Madness remained rooted in ska and pop, they expanded their palette to include jazz, music hall, and even elements of psychedelia. “Mr. Speaker (Gets the Word)” and “Sunday Morning” exhibit a playful yet sophisticated approach to arrangement, drawing on British musical traditions with a contemporary twist. The band’s knack for storytelling is elevated by this musical richness, allowing each song to function like a vignette—some whimsical, others sobering, but all deeply evocative.
Thematically, the album feels like a concept album without being one in the strict sense. There is no central narrative, but the sequencing of tracks and recurring motifs suggest a meditation on the cycles of youth and age, joy and despair, social order and personal chaos. It’s a portrait of a society in transition, mirroring the political and cultural tensions of early 1980s Britain. Madness manages to communicate these ideas not through didacticism but through atmosphere and character—a feat that speaks to their evolution as songwriters and performers.
The 2021 heavyweight vinyl reissue underscores this artistry with exceptional sound quality and packaging that nods to the original release while elevating it with modern production standards. For collectors and audiophiles, the physicality of the 180g pressing provides an immersive listening experience that digital formats struggle to replicate. There’s a tactile pleasure in engaging with the album as an object—sliding it from its sleeve, placing it on the turntable, and allowing the music to unfold with intention.
Ultimately, The Rise & Fall remains a standout album not just in the Madness catalog but in the broader context of early ’80s British pop. Its ability to fuse satire, sentimentality, and sonic adventure into a cohesive whole speaks to the band’s underestimated genius. The 2021 reissue serves as a timely reminder of how forward-thinking and emotionally resonant Madness could be, proving that beneath the zany exterior lay a band capable of profound artistic depth.
RELEASE DETAILS
TRACK LISTING
Disc | Position | Track | Version | Duration |
---|---|---|---|---|
1 | A1 | Rise And Fall | 3:17 | |
1 | A2 | Tomorrow’s (Just Another Day) | 3:11 | |
1 | A3 | Blue Skinned Beast | 3:23 | |
1 | A4 | Primrose Hill | 3:36 | |
1 | A5 | Mr. Speaker (Gets The Word) | 3:01 | |
1 | A6 | Sunday Morning | 4:03 | |
1 | B1 | Our House | 3:23 | |
1 | B2 | Tiptoes | 3:30 | |
1 | B3 | New Delhi | 3:41 | |
1 | B4 | That Face | 3:40 | |
1 | B5 | Calling Cards | 2:20 | |
1 | B6 | Are You Coming (With Me) | 3:17 | |
1 | B7 | Madness (Is All in the Mind) | 2:53 |
CHART HISTORY
Position Date | Position |
---|---|
13/11/1982 | 13 |
20/11/1982 | 10 |
27/11/1982 | 19 |
04/12/1982 | 25 |
11/12/1982 | 18 |
18/12/1982 | 10 |
25/12/1982 | 11 |
01/01/1983 | 11 |
08/01/1983 | 11 |
15/01/1983 | 23 |
SEE RELATED RELEASES...
Explore the “Related Releases” section to discover rare and exclusive editions of this title — including Alternative Versions, Picture Discs, Deluxe Editions, Bonus Volumes, and Promotional Reissue Sets.
Each release offers something unique: unreleased tracks, bonus material, limited-edition artwork, and collectible packaging. Perfect for collectors and devoted fans, these editions deliver fresh listening experiences and one-of-a-kind treasures.
Alternatively, releases from different countries or re-issues from previous or future years will be grouped under our master release schedule, making them easily accessible and convenient for reference to all issues of the album. If available, a button to the master release will be displayed here.
MUSICANS
Musican | Instrument | Role | Credit |
---|---|---|---|
Mike (Monsieur Barso) Barson | Keyboards | Band | |
Chris (Chrissy Boy) Foreman | Guitar | Band | |
Lee (Kix) Thompson | Tenor Saxophone | Band | |
Mark (Bedders) Bedford | Bass | Band | |
Daniel (Woody) Woodgate | Drums | Band | |
Graham (Suggs) McPherson | Vocals | Band | |
Cathal (Chas Smash) Smyth | Vocals, Trumpet | Band | |
Geraldo D'Arbilly | Percussion | Session Musician |
PRODUCTION CREDITS
Role | Credited | Notes |
---|---|---|
Producer | Clive Langer | |
Producer | Alan Winstanley | |
Engineer | David Woolley | |
Engineer | Jeremy Allom | |
Recording Studio | Air Studios | |
Recording Studio | Maida Vale Studio 4 | |
Mixing Facility | Rushent's Mansion | Genetic Studios |
Orchestrator | David Bedford | Brass Band, Strings |
Photographer | Laurie Lewis | Front Cover Photo |
Photographer | Virginia Turbett | |
Graphic Design | Stiff Art Department | Original Graphic Design |
Remastered By | Turan Audio Ltd. | |
Writer | Stevie Chick | Liner Notes: As told to... |
Band | Lee (Kix) Thompson | Liner Notes |
Band | Mike (Monsieur Barso) Barson | Liner Notes |
Band | Graham (Suggs) McPherson | Liner Notes |
Band | Chris (Chrissy Boy) Foreman | Liner Notes |
Band | Cathal (Chas Smash) Smyth | Liner Notes |
Band | Daniel (Woody) Woodgate | Liner Notes |
COPYRIGHT AND Licencing
Ownership | Company | Notes |
---|---|---|
Phonographic Copyright ℗, Copyright © | BMG Rights Management (UK) | |
Licensed From | Stirling Holdings Limited | |
Under Exclusive Licence | Union Square Music Ltd., a BMG Company. |
Representation
Representation | Company | Notes |
---|---|---|
Record Label | BMG | |
Publisher | Stirling Holdings Limited |
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References
Extensive efforts have been made to gather factual information and knowledge on madness from various sources and document them. These sources include publicly accessible websites, books and publications, historical artefacts, and other pertinent materials. As a result, a comprehensive index of resources has been compiled and integrated into the website. These resources, if relevant to this article, are listed below.
Reference | Source |
---|---|
wikipedia.org | Website |
discogs.com | Website |
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