
Wonderful (180g Heavyweight)

OVERVIEW
The 2022 vinyl reissue of Wonderful by Madness is a notable moment in the band’s discography and for collectors of British pop and ska music. Originally released in 1999, Wonderful marked a pivotal return for Madness after a 14-year studio hiatus. The album brought back the band’s iconic seven-piece lineup and reunited them with longtime producers Clive Langer and Alan Winstanley. While it was initially available only on CD and cassette, the 2022 release marks the first time the album has been pressed on vinyl—specifically on 180g heavyweight black vinyl, a format prized for its enhanced sound quality and durability.
This reissue, presented with care for both sound and aesthetics, is more than just a nostalgic nod to the past. For audiophiles, the heavyweight pressing provides a richer, fuller audio experience. The reissue also includes newly written liner notes by music journalist Stevie Chick, which feature interviews with key band members—Lee Thompson, Chris Foreman, Mark Bedford, Cathal Smyth, and Daniel Woodgate. These interviews provide candid reflections on the making of Wonderful, giving fans deeper insights into the band’s mindset during their comeback and the stories behind the songs.
Musically, the 11-track album stays true to Madness’s signature style, blending ska rhythms with pop melodies and wry lyricism. The singles “Lovestruck,” “Johnny the Horse,” and “Drip Fed Fred” anchor the record, with the latter standing out for its collaboration with the late Ian Dury. Dury’s appearance adds both artistic flair and emotional resonance, as it became one of his final recordings before his passing in 2000. His performance on “Drip Fed Fred” injects a gritty charm into the track and serves as a poignant farewell from one of Britain’s beloved musical storytellers.
The tracklist also includes “If I Didn’t Care,” a cover of The Ink Spots’ classic, showing the band’s range and respect for musical tradition. Throughout Wonderful, Madness sounds confident and rejuvenated, even as some critics noted that the album leans heavily on their earlier styles. Upon its original release, Wonderful received generally positive reviews. Allmusic awarded it 4 out of 5 stars, praising it as a “pretty successful return,” while other reviewers appreciated the sense of cohesion in the band’s performance. Some critiques noted that the album leaned too much on past formulas without fully adapting to the musical climate of the late ’90s, but this didn’t significantly detract from its overall reception.
In its 2022 vinyl incarnation, Wonderful has been embraced by fans old and new. On forums like Discogs, users praised the quality of the pressing, calling it “dead quiet” and “full of vibes,” with many noting that the album remains underrated. The addition of Stevie Chick’s liner notes has also been well-received, providing fans with stories and perspectives that deepen the experience of the music. For those who grew up with Madness or discovered them later, this reissue presents a thoughtful and well-produced package that honors the band’s legacy while offering a fresh way to experience their work.
From a collector’s standpoint, the release is significant for several reasons. First and foremost, it fills a long-standing gap in the band’s vinyl catalog. Until 2022, Wonderful had never been available on vinyl, making this a must-have for fans who prefer physical formats or have been building a complete Madness discography. Secondly, the heavyweight vinyl format aligns with current trends in high-fidelity music consumption, ensuring that the album not only looks good on the shelf but also sounds exceptional on the turntable. Finally, the historical importance of the album—marking the band’s full return and featuring one of Ian Dury’s last performances—adds emotional and cultural weight to this release.
In conclusion, the 2022 vinyl reissue of Madness’s Wonderful is much more than a standard repress. It’s a celebration of the band’s comeback, a tribute to their enduring sound, and a thoughtfully curated collector’s piece. With high-quality audio, insightful liner notes, and its first-ever appearance on vinyl, this release offers a compelling reason to revisit—or discover—the album anew.
RELEASE DETAILS
TRACK LISTING
Disc | Position | Track | Version | Duration |
---|---|---|---|---|
1 | A1 | Lovestruck | 3:50 | |
1 | A2 | Johnny The Horse | 3:20 | |
1 | A3 | The Communicator | 3:20 | |
1 | A4 | 4 A.M. | 3:51 | |
1 | A5 | The Wizard | 3:27 | |
1 | A6 | Drip Fed Fred (feat. Ian Dury) | 4:30 | |
1 | B1 | Going To The Top | 3:56 | |
1 | B2 | Elysium | 3:56 | |
1 | B3 | Saturday Night, Sunday Morning | 4:15 | |
1 | B4 | If I Didn't Care | 4:24 | |
1 | B5 | No Money | 3:13 |
CHART HISTORY
Position Date | Position |
---|---|
13/11/1999 | 17 |
20/11/1999 | 43 |
27/11/1999 | 76 |
SEE RELATED RELEASES...
Explore the “Related Releases” section to discover rare and exclusive editions of this title — including Alternative Versions, Picture Discs, Deluxe Editions, Bonus Volumes, and Promotional Reissue Sets.
Each release offers something unique: unreleased tracks, bonus material, limited-edition artwork, and collectible packaging. Perfect for collectors and devoted fans, these editions deliver fresh listening experiences and one-of-a-kind treasures.
Alternatively, releases from different countries or re-issues from previous or future years will be grouped under our master release schedule, making them easily accessible and convenient for reference to all issues of the album. If available, a button to the master release will be displayed here.
MUSICANS
Musican | Instrument | Role | Credit |
---|---|---|---|
Mike (Monsieur Barso) Barson | Piano | Band | |
Chris (Chrissy Boy) Foreman | Guitar | Band | |
Lee (Kix) Thompson | Tenor Saxophone | Band | |
Mark (Bedders) Bedford | Bass | Band | |
Daniel (Woody) Woodgate | Drums | Band | |
Graham (Suggs) McPherson | Vocals | Band | |
Cathal (Chas Smash) Smyth | Backing Vocals, Vocals | Band | |
Ian Dury | Vocals | Special Guest Vocalist | (track: A6) |
Sarah Cracknell | Backing Vocals | Session Musician | (track: B2) |
Pablo Cook | Percussion | Session Instrumentalist | (tracks: A1, A2, A4, A5, B1 to B3, B5) |
Mike Kearsey | Trombone | Session Musician | (tracks: A2, A3, A5, A6, B5) |
Jason McDermid | Trumpet | Session Musician | (tracks: A2, A3, A6, B5) |
Terry Edwards | Tenor Saxophone | Session Musician | (Tracks: A2, A3, A5, B1, B3, B5) |
Jason Bruer | Tenor Saxophone | Session Musician | (Tracks: A2, A3, A5, B1, B5) |
Steve Donnelley | Dobro Guitar | Session Instrumentalist | (track: A5) |
PRODUCTION CREDITS
Role | Credited | Notes |
---|---|---|
Producer | Clive Langer | |
Producer, Engineer | Alan Winstanley | |
Assistant Engineer | Mark Bishop | |
Orchestra | The London Session Orchestra | (tracks: A1, A2, A4, A5, B1, B2, B3, B5) |
Orchestrator | Gavyn Wright | Lead: (tracks: A1, A2, A4, A5, B1 to B3, B5) |
Orchestrator | Simon Hale | (tracks: A1, A2, A4, A5, B1 to B3, B5) |
Orchestrator | Terry Edwards | (tracks: A5, A6) |
Graphic Design | Mark (Bedders) Bedford | |
Graphic Design | Robert Stimpson | |
Design Assistant | Neil Evans | |
Design Assistant | Dani Golfieri | |
Photographer | Martin Parr | Magnum Photos |
COPYRIGHT AND Licencing
Ownership | Company | Notes |
---|---|---|
Phonographic Copyright ℗, Copyright © | Stirling Holdings Limited | |
Under Exclusive Licence | Union Square Music Ltd., a BMG Company. |
Representation
Representation | Company | Notes |
---|---|---|
Record Label | BMG |
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References
Extensive efforts have been made to gather factual information and knowledge on madness from various sources and document them. These sources include publicly accessible websites, books and publications, historical artefacts, and other pertinent materials. As a result, a comprehensive index of resources has been compiled and integrated into the website. These resources, if relevant to this article, are listed below.
Reference | Source |
---|---|
madzine.us | Website |
officialcharts.com | Website |
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