
One Step Beyond…
OVERVIEW
Released in 1979, One Step Beyond… marked the explosive debut of Madness, a British band synonymous with the ska revival movement of the late 1970s and early 1980s. While the album’s UK release is often the focal point in retrospectives, the German edition—catalog number 6.24 174—offers its own interesting variation, particularly for collectors and vinyl enthusiasts. Issued by Stiff Records and manufactured in Germany by Teldec, this pressing is notable for existing in two distinct variants, each with a different price code: AO and AP. These codes likely represented separate pricing or distribution strategies within the German market, though the audio content of each remains the same.
Musically, One Step Beyond… is an exuberant blend of ska, reggae, pop, and punk spirit, helping to define the burgeoning 2 Tone genre. The album bursts into life with its title track, a cover of a Prince Buster classic, and never relents in its joyful, tongue-in-cheek energy. Tracks like “My Girl,” “Night Boat to Cairo,” and “The Prince” showcase the band’s unique ability to blend offbeat humor with sharp songwriting and an unmistakable rhythmic bounce. The album quickly gained traction, climbing to number 2 on the UK Albums Chart and staying there for more than a year—a testament to its wide appeal and infectious sound.
The German release maintains the album’s original tracklist, featuring 14 songs that mirror the UK version. From a musical standpoint, there are no notable differences, meaning listeners in Germany experienced the same whirlwind of ska-pop delight as their UK counterparts. However, the physical characteristics of the LP provide subtle but fascinating distinctions. The AP variant, in particular, is believed to be a first pressing and includes a printed inner sleeve—an appealing detail for collectors. Matrix runouts on this pressing, such as “6.24 174 -01- 1 Manufactured in Germany H1,” confirm its German manufacture by Teldec, also known as Telefunken-Decca Schallplatten GmbH.
What sets this German edition apart is not a unique remix or alternate cover, but rather the existence of the AO and AP price codes. These codes, seemingly minor, can be of significant interest to vinyl enthusiasts and collectors, signaling differences in production batches, market segmentation, or even timelines within the original release cycle. The AO variant has fewer publicly documented specifics, but given its shared catalog number and general release information, it’s widely assumed to be essentially the same as the AP, minus perhaps the designation as a “first press.”
From a broader perspective, One Step Beyond… holds a critical place in the landscape of late-70s British music. Produced by Clive Langer and Alan Winstanley—who would go on to work extensively with Madness as well as other key figures like Elvis Costello and David Bowie—the album distilled the essence of youth culture and working-class life with upbeat irreverence and musical precision. Its impact extended beyond the UK, with pressings like the German edition serving to spread the 2 Tone movement across Europe.
Although there are no chart performance records specific to the German release, the album’s wide international availability—evidenced by multiple pressings like this one—suggests that One Step Beyond… enjoyed a strong presence outside the UK as well. Critically, the album has retained its stature over the decades. It was ranked 90th in Channel 4’s 2005 survey of the 100 greatest albums of all time and remains a staple reference point in ska and new wave retrospectives. Websites like Best Ever Albums continue to rank it favorably, with solid ratings from fans and critics alike.
The German pressing, particularly with its AP and AO distinctions, adds a niche but notable chapter to the album’s legacy. For collectors, details such as matrix etchings, price codes, and inner sleeve variations offer a deeper appreciation of the album’s production and distribution history. While the music itself remains unchanged, the physical artifacts of its release tell a story of how Madness’s sound traveled across borders, carried not just by airplay or word of mouth, but by tangible vinyl records with regional quirks.
In conclusion, the 1979 German edition of One Step Beyond…, with catalog number 6.24 174, is a faithful reproduction of Madness’s breakout debut, distinguished by its AO and AP variants. Manufactured by Teldec and aligned with Stiff Records’ international distribution, this version remains a compelling item for collectors, offering both historical depth and the infectious sound that helped define a genre.
SINGLES
Cover | Title | Released |
---|---|---|
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The Prince | 08/10/1979 |
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One Step Beyond... | 10/26/1979 |
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My Girl | 12/21/1979 |
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Night Boat To Cairo | 03/21/1980 |
RELEASE DETAILS
TRACK LISTING
Disc | Position | Track | Version | Duration |
---|---|---|---|---|
1 | A1 | One Step Beyond... | 2:17 | |
1 | A2 | My Girl | 2:44 | |
1 | A3 | Night Boat To Cairo | 3:28 | |
1 | A4 | Believe Me | 2:28 | |
1 | A5 | Land Of Hope & Glory | 2:56 | |
1 | A6 | The Prince | Album Version | 3:17 |
1 | A7 | Tarzan’s Nuts | 2:23 | |
1 | B1 | In The Middle Of The Night | 3:00 | |
1 | B2 | Bed And Breakfast Man | 2:31 | |
1 | B3 | Razor Blade Alley | 2:41 | |
1 | B4 | Swan Lake | 2:35 | |
1 | B5 | Rockin' in A♭ | 2:28 | |
1 | B6 | Mummy’s Boy | 2:22 | |
1 | B7 | Madness | Album Version | 2:36 |
1 | B8 | Chipmunks Are Go! | 0:50 |
CHART HISTORY
Position Date | Position |
---|---|
03/03/1980 | 32 |
01/12/1980 | 60 |
MUSICANS
Musican | Instrument | Role | Credit |
---|---|---|---|
Mike (Monsieur Barso) Barson | Keyboards | Band | |
Chris (Chrissy Boy) Foreman | Guitar | Band | |
Lee (Kix) Thompson | Vocals, Tenor Saxophone, Baritone Saxophone | Band | |
Mark (Bedders) Bedford | Bass | Band | |
Daniel (Woody) Woodgate | Drums, Percussion | Band | |
Graham (Suggs) McPherson | Vocals | Band | |
Cathal (Chas Smash) Smyth | Backing Vocals, Vocals | Band |
PRODUCTION CREDITS
Role | Credited | Notes |
---|---|---|
Producer | Clive Langer | |
Producer, Engineer | Alan Winstanley | |
Recording Studio | Eden Studios | |
Recording Studio | T.W. Studios | |
Mixing Facility | Rushent's Mansion | (The Lucky Bleeder) |
Photographer | Cameron McVey | |
Photographer | Chris Gabrin | |
Art Direction | Stiff Art Department |
COPYRIGHT AND Licencing
Ownership | Company | Notes |
---|---|---|
Copyright © | Stiff Records | |
Phonographic Copyright ℗ | Stiff Records |
Representation
Representation | Company | Notes |
---|---|---|
Record Label | Stiff Records | |
Publisher | Melodisc Records Ltd. | |
Publisher | Warner Chappell Music Ltd. | |
Publisher | Copyright Control |
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References
Extensive efforts have been made to gather factual information and knowledge on madness from various sources and document them. These sources include publicly accessible websites, books and publications, historical artefacts, and other pertinent materials. As a result, a comprehensive index of resources has been compiled and integrated into the website. These resources, if relevant to this article, are listed below.
Reference | Source |
---|---|
WIKIPEDIA.ORG | Website |
DISCOGS.COM | Website |
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