
7 (180g Heavyweight)

OVERVIEW
The 2021 reissue of Madness 7 (180g Heavyweight) is more than just a nostalgic revisit—it’s a vibrant reawakening of one of Madness’s most defining works. Originally released in 1981, 7 was the band’s third studio album and a crucial step in their artistic evolution. With its colorful mix of ska, pop, and new wave influences, the album captured the character of early-’80s British life through both energetic rhythms and sharp lyrical storytelling. Reaching No. 5 on the UK Albums Chart upon its original release, 7 cemented Madness’s position in the British music landscape after their earlier success with One Step Beyond and Absolutely.
This 2021 reissue, officially released on March 26, brings new life to the classic with a remastered version pressed on 180g heavyweight vinyl. The pressing ensures a high-fidelity listening experience for both audiophiles and casual fans alike, reviving the analog warmth that only vinyl can provide. Beyond just an upgrade in sound quality, this edition includes newly written liner notes by esteemed music journalist Stevie Chick, whose background with MOJO, The Guardian, and NME brings thoughtful context to the band’s work. Even more compelling are the included interviews with saxophonist Lee ‘Kix’ Thompson and keyboardist Mike Barson, offering personal insights and anecdotes that transport listeners back to the recording sessions in Compass Point Studios, Nassau, where most of the album took shape.
One of the more unexpected pleasures of this reissue is how these interviews create a bridge between past and present. While the original release stood on its own as a vivid snapshot of Madness’s peak-era creativity, this edition provides the missing backstage pass—the behind-the-scenes voices that fans never heard in 1981. The inclusion of these reflections not only deepens appreciation for the music but also reveals the camaraderie, humor, and occasional chaos that went into crafting songs like “Cardiac Arrest,” “Grey Day,” and “Shut Up.” The exception to the Nassau sessions, “Grey Day,” recorded earlier in London, is particularly striking for its moody tone and socially reflective lyrics, offering contrast to the otherwise upbeat tempo of the album.
Visually, the album is presented with care: a matte sleeve, printed inner sleeve, and 12-inch square insert that maintains the aesthetic spirit of the original while adding modern polish. Manufactured in Poland and distributed as part of BMG Rights Management’s reissue campaign, the packaging appeals directly to collectors while not alienating newer fans looking to dive into Madness’s discography.
What makes 7 a compelling listen even four decades later is its unique fusion of irreverent humor and emotional depth. Madness had a knack for crafting catchy melodies layered with subtle commentary on British working-class struggles, and this album captures that dichotomy perfectly. Tracks like “Sign of the Times” delve into social unrest, while “Shut Up” explores themes of guilt and denial wrapped in a deceptively playful arrangement. The sonic textures, from tight horn sections to Barson’s rhythmic keyboard lines, highlight the band’s musical versatility and continued relevance.
Reception of the 2021 reissue has been largely positive, with fans praising the improved audio fidelity and added context provided by the bonus materials. Collectors especially appreciate the attention to detail, noting how the remastering brings out new dimensions in the instrumentation. For longtime followers, it’s a rewarding way to re-experience a beloved album, and for newcomers, it serves as a gateway into Madness’s distinctive world—one filled with wit, rhythm, and reflection.
In conclusion, Madness 7 (180g Heavyweight) is not simply a reprint of a successful record. It’s a carefully curated celebration of a band that helped shape the sound of a generation. With remastered audio, exclusive commentary, and thoughtfully designed packaging, this 2021 edition honors the legacy of 7 while reaffirming Madness’s place in the pantheon of British pop. Whether you’re a first-time listener or a seasoned fan, this reissue offers a rich and rewarding experience that captures both the madness and the method behind one of the UK’s most beloved bands.
RELEASE DETAILS
TRACK LISTING
Disc | Position | Track | Version | Duration |
---|---|---|---|---|
1 | A1 | Cardiac Arrest | 2:52 | |
1 | A2 | Shut Up | 4:06 | |
1 | A3 | Sign Of The Times | 2:42 | |
1 | A4 | Missing You | 2:33 | |
1 | A5 | Mrs. Hutchinson | 2:17 | |
1 | A6 | Tomorrow's Dream | 3:54 | |
1 | B1 | Grey Day | 3:39 | |
1 | B2 | Pac-A-Mac | 2:37 | |
1 | B3 | Promises Promises | 2:52 | |
1 | B4 | Benny Bullfrog | 1:51 | |
1 | B5 | When Dawn Arrives | 2:42 | |
1 | B6 | The Opium Eaters | 3:02 | |
1 | B7 | Day On The Town | 3:22 |
CHART HISTORY
Position Date | Position |
---|---|
10/10/1981 | 9 |
17/10/1981 | 5 |
24/10/1981 | 7 |
31/10/1981 | 11 |
07/11/1981 | 11 |
14/11/1981 | 21 |
21/11/1981 | 25 |
28/11/1981 | 32 |
05/12/1981 | 32 |
12/12/1981 | 31 |
SEE RELATED RELEASES...
Explore the “Related Releases” section to discover rare and exclusive editions of this title — including Alternative Versions, Picture Discs, Deluxe Editions, Bonus Volumes, and Promotional Reissue Sets.
Each release offers something unique: unreleased tracks, bonus material, limited-edition artwork, and collectible packaging. Perfect for collectors and devoted fans, these editions deliver fresh listening experiences and one-of-a-kind treasures.
Alternatively, releases from different countries or re-issues from previous or future years will be grouped under our master release schedule, making them easily accessible and convenient for reference to all issues of the album. If available, a button to the master release will be displayed here.
MUSICANS
Musican | Instrument | Role | Credit |
---|---|---|---|
Mike (Monsieur Barso) Barson | Piano, Organ, Vibraphone, Marimba, Harmonica, Tubular Bells | Band | |
Chris (Chrissy Boy) Foreman | Guitar, Sitar | Band | |
Lee (Kix) Thompson | Vocals, Burps and Squeaks, Saxophone | Band | |
Mark (Bedders) Bedford | Bass | Band | |
Daniel (Woody) Woodgate | Drums, Congas | Band | |
Graham (Suggs) McPherson | Vocals | Band | |
Cathal (Chas Smash) Smyth | Vocals, Trumpet | Band |
PRODUCTION CREDITS
Role | Credited | Notes |
---|---|---|
Producer | Clive Langer | |
Producer, Engineer | Alan Winstanley | |
Recording Studio | Compass Point Studio | |
Photographer | Michael Putland | Photographs |
Illustrator, Graphic Design | Chris Morton | C-More |
Artist, Illustrator | Martin Callomon | Cover Artwork |
Remastered By | Turan Audio Ltd. | |
Liner Notes, Writer | Stevie Chick | Liner Notes: As told to... |
Band | Mike (Monsieur Barso) Barson | Liner Notes |
Band | Chris (Chrissy Boy) Foreman | Liner Notes |
Band | Lee (Kix) Thompson | Liner Notes |
COPYRIGHT AND Licencing
Ownership | Company | Notes |
---|---|---|
Phonographic Copyright ℗, Copyright © | Union Square Music Ltd., a BMG Company. | |
Licensed From | Stirling Holdings Limited |
Representation
Representation | Company | Notes |
---|---|---|
Record Label | BMG | |
Publisher | Stirling Holdings Limited |
SHARE YOUR OWN RELEASE REVIEW WITH OUR COMMUNITY
References
Extensive efforts have been made to gather factual information and knowledge on madness from various sources and document them. These sources include publicly accessible websites, books and publications, historical artefacts, and other pertinent materials. As a result, a comprehensive index of resources has been compiled and integrated into the website. These resources, if relevant to this article, are listed below.
Reference | Source |
---|---|
wikipedia.org | Website |
discogs.com | Website |
Reviews