ワン・ステップ・ビヨンド

The Japanese edition of Madness’s seminal debut album, One Step Beyond…—titled ワン・ステップ・ビヨンド in Japanese and released in 1980 under the catalog number VIP-6708—is a rare and valuable artifact in the annals of ska and new wave music. Originally released in the United Kingdom in 1979 by Stiff Records, this version marked the band’s entry into the Japanese market at a time when Western pop and alternative music was beginning to gain a strong foothold among Japanese listeners and vinyl collectors.

Madness had already made waves in the UK with their high-energy blend of ska, pop, punk, and British wit. Formed in 1976, the group became synonymous with the 2-Tone movement, a genre that revitalized ska music by merging it with punk’s urgency and attitude. Their debut album, One Step Beyond…, was not only a commercial success—peaking at number two on the UK Albums Chart and staying there for over a year—but also a cultural touchstone for a generation. The Japanese pressing, released a year later, is a testament to the international appeal of Madness during the early ’80s.

Produced by Clive Langer and Alan Winstanley, the album captured the band’s rowdy, unpredictable stage presence in a studio format. The producers, who would later become known for their work with Elvis Costello and Morrissey, ensured the album retained its raw spontaneity while offering a tight and polished sound. The album was famously recorded and mixed within a matter of weeks, contributing to its live-feel edge and kinetic rhythm.

The Japanese version, released by Stiff Records under the VIP-6708 catalog number, is believed to be identical in tracklist and sonic content to the UK version, featuring 15 tracks including the iconic title track “One Step Beyond,” and the equally popular “Night Boat to Cairo.” These songs became staples of the band’s live performances and helped cement their status as a leading force in the 2-Tone movement. Also notable is the contribution of Cathal “Chas Smash” Smyth, who, although not yet an official band member during recording, performed vocals on the title track and the closing track. His signature interjections, shouts, and charismatic presence brought an extra layer of character to the album.

A distinguishing aspect of the Japanese release, however, lies in its packaging. It likely featured an obi strip—a decorative paper band wrapped around the cover—along with an insert containing lyrics or liner notes, often translated into Japanese. These components are emblematic of Japanese pressings and are highly sought after in the collector community. Such additions not only added visual appeal but also reflected the careful attention Japanese labels paid to packaging and presentation, particularly when introducing Western music to their domestic audience.

Over the years, the Japanese pressing has gained traction among collectors, especially those seeking complete versions with the obi strip and insert intact. Listings on vinyl enthusiast sites like Discogs and vinylonthe.net confirm the release’s existence and value, with collectors noting its pristine packaging and authentic 1980 pressing date as points of distinction. The rarity of a complete Japanese edition makes it an especially desirable item for fans of Madness and ska history alike.

In retrospect, One Step Beyond… remains a defining moment not just in Madness’s career, but in British music history. Its Japanese counterpart serves as a fascinating cultural artifact—a symbol of how British subcultures traveled and took root in distant corners of the world. Today, with its quirky charm, spirited instrumentation, and unmistakable vocal delivery from frontman Graham “Suggs” McPherson, the album continues to captivate new listeners. The Japanese VIP-6708 pressing is not only a collectible treasure, but also a vibrant reminder of Madness’s global reach at the dawn of a new musical decade.