
Keep Moving (180g Heavyweight)

OVERVIEW
The 2022 reissue of Keep Moving, Madness’s fifth studio album, represents a thoughtful and faithful reproduction of the original 1984 release. Pressed on 180g heavyweight vinyl and issued on March 25, 2022, by Union Square Music (BMG), the reissue is part of a 30th-anniversary campaign celebrating the band’s prolific and influential discography. Known for its nuanced sound and social commentary, Keep Moving marked a turning point in the band’s career, showcasing their evolution from playful ska to a more refined pop sound with depth and maturity.
Originally released in February 1984, Keep Moving holds historical significance within the Madness catalogue. It was the final album recorded with the original lineup before keyboardist Mike Barson took a temporary hiatus. This change added an emotional weight to the record’s release, as Barson had been a founding member and integral part of the band’s sound. The album achieved commercial success, reaching No. 6 on the UK Albums Chart and producing several hits, including “Michael Caine” and “One Better Day,” both of which made it into the UK Singles Chart Top 20. In the United States, it peaked at No. 109 on the Billboard 200, making it the band’s highest-charting studio album there at the time.
Critics at the time of release praised the album’s maturity and ambition. While Madness had built their reputation on quirky lyrics and upbeat ska rhythms, Keep Moving demonstrated a shift toward more contemplative songwriting. Themes of homelessness, political unrest, and domestic strife emerged in tracks like “One Better Day” and “The Sun and the Rain,” earning the band critical acclaim. Publications such as Rolling Stone awarded it four out of five stars, and NME ranked it No. 13 in their “Albums of the Year” for 1984. These accolades reflect the album’s critical and cultural impact, even if it has remained somewhat underappreciated compared to Madness’s earlier, more chart-topping records.
The 2022 vinyl reissue brings the album back into the spotlight, offering longtime fans and new listeners a chance to appreciate the record in a physical, high-fidelity format. Pressed on 180g heavyweight vinyl, the format not only enhances the listening experience but also offers greater durability, a key detail for collectors and audiophiles alike. While the reissue mirrors the original 12-track listing without bonus tracks—likely due to vinyl’s physical limitations—it remains a complete and coherent musical statement. Songs like “Keep Moving,” “Victoria Gardens,” and “Turning Blue” are presented in their original form, ensuring the authenticity of the listening experience.
What sets this reissue apart from other standard repressings is the inclusion of newly written liner notes from band members such as Lee Thompson, Chris Foreman, Mark Bedford, Cathal Smyth, and Daniel Woodgate. This unexpected addition adds a personal and reflective layer to the release, offering insight into the album’s creation, the band’s state of mind during the mid-1980s, and the impact of Barson’s departure. For collectors and fans, these notes are a valuable addition that goes beyond the music itself, giving context and depth to an already meaningful album.
The reissue has been well received across various platforms. On Amazon and other retail sites, customer reviews often highlight the sound quality and packaging, with some users calling it a nostalgic yet surprisingly fresh experience. The sentiment that “the 80s are sometimes better than you remember” captures the essence of the reissue—Keep Moving not only holds up in retrospect but also shines in its reintroduction to modern audiences.
In sum, the 2022 vinyl reissue of Keep Moving is both a tribute to Madness’s artistic legacy and a celebration of one of their most mature, underappreciated albums. Faithful to the original in sound and presentation, enhanced by thoughtful liner notes, and wrapped in the warm analog fidelity of heavyweight vinyl, this edition honors the spirit of the original release while recontextualizing it for a new generation. It stands as a testament to Madness’s versatility, musical depth, and enduring appeal in the ever-evolving landscape of British pop.
RELEASE DETAILS
TRACK LISTING
Disc | Position | Track | Version | Duration |
---|---|---|---|---|
1 | A1 | Keep Moving | 3:33 | |
1 | A2 | Michael Caine | 3:39 | |
1 | A3 | Turning Blue | 3:06 | |
1 | A4 | One Better Day | 4:06 | |
1 | A5 | March Of The Gherkins | 3:30 | |
1 | A6 | Waltz Into Mischief | 3:36 | |
1 | B1 | Brand New Beat | 3:17 | |
1 | B2 | Victoria Gardens | 4:32 | |
1 | B3 | Samantha | 3:14 | |
1 | B4 | Time For Tea | 3:08 | |
1 | B5 | Prospects | 4:15 | |
1 | B6 | Give Me A Reason | 3:26 |
CHART HISTORY
Position Date | Position |
---|---|
03/03/1984 | 6 |
10/03/1984 | 7 |
17/03/1984 | 13 |
24/03/1984 | 18 |
31/03/1984 | 27 |
07/04/1984 | 27 |
14/04/1984 | 37 |
21/04/1984 | 38 |
28/04/1984 | 34 |
05/05/1984 | 55 |
SEE RELATED RELEASES...
Explore the “Related Releases” section to discover rare and exclusive editions of this title — including Alternative Versions, Picture Discs, Deluxe Editions, Bonus Volumes, and Promotional Reissue Sets.
Each release offers something unique: unreleased tracks, bonus material, limited-edition artwork, and collectible packaging. Perfect for collectors and devoted fans, these editions deliver fresh listening experiences and one-of-a-kind treasures.
Alternatively, releases from different countries or re-issues from previous or future years will be grouped under our master release schedule, making them easily accessible and convenient for reference to all issues of the album. If available, a button to the master release will be displayed here.
MUSICANS
Musican | Instrument | Role | Credit |
---|---|---|---|
Mike (Monsieur Barso) Barson | Piano, Organ, Vibraphone, Marimba, Harmonica | Band | |
Chris (Chrissy Boy) Foreman | Guitar, Sitar, Slide Guitar | Band | |
Lee (Kix) Thompson | Tenor Saxophone | Band | |
Mark (Bedders) Bedford | Bass | Band | |
Daniel (Woody) Woodgate | Drums, Triggers | Band | |
Graham (Suggs) McPherson | Vocals | Band | |
Cathal (Chas Smash) Smyth | Backing Vocals, Vocals, Trumpet | Band | |
Michael Caine | Spoken Word | Special Guest | "My Name is Michael Caine" |
The TKO Horns | Horns | Session Musician | |
Luis Jardim | Percussion | Session Musician | Tracks: 1-1 to 1-12 |
Afrodiziak | Backing Vocals | Session Musician | on 'Michael Caine' |
General Public | Backing Vocals | Special Guest Vocalist | 'Waltz Into Michief', 'Victoria Gardens' |
PRODUCTION CREDITS
Role | Credited | Notes |
---|---|---|
Producer | Clive Langer | |
Producer | Alan Winstanley | |
Recording Studio | Air Studios | |
Mixed | Rushent's Mansion | Genetic Studios |
Orchestrator | David Bedford | Strings Arrangement: Tracks: 1-12 |
Engineer | Steve Churchyard | Recording: Tracks: 1-1 to 1-12 |
Engineer | Gavin Greenaway | Recording: Tracks: 1-1 to 1-12 |
Engineer | Andy Canelle | Recording: Tracks: 1-1 to 1-12 |
Engineer | Matt Butler | Recording: Tracks: 1-1 to 1-12 |
Engineer | Jim Russell | Mixing: Tracks: 1-1 to 1-12 |
Engineer, Mixed | Phil Tennant | Mixing: Tracks: 1-1 to 1-12 |
Mastering | Denis Blackham | Mastered at Tape 1 |
Remastered By | Turan Audio Ltd. | 2010 remastering by Tim Turan |
Graphic Design, Art Direction | Martin Callomon | |
Graphic Design, Art Direction | Stiff Art Department | Original Graphic Design |
Graphic Design | Nik Rose | Re-jigging And Fettling |
Photographer | Tony Duffy | |
Liner Notes | Stevie Chick | As told to. |
Liner Notes | Lee (Kix) Thompson | |
Liner Notes | Mike (Monsieur Barso) Barson | |
Liner Notes | Graham (Suggs) McPherson | |
Liner Notes | Chris (Chrissy Boy) Foreman | |
Liner Notes | Daniel (Woody) Woodgate | |
Liner Notes | Cathal (Chas Smash) Smyth |
COPYRIGHT AND Licencing
Ownership | Company | Notes |
---|---|---|
Phonographic Copyright ℗ | Union Square Music Ltd., a BMG Company. | |
Copyright © | Stirling Holdings Limited | |
Under Exclusive Licence | Union Square Music Ltd., a BMG Company. |
Representation
Representation | Company | Notes |
---|---|---|
Record Label | Union Square Music Ltd., a BMG Company. |
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References
Extensive efforts have been made to gather factual information and knowledge on madness from various sources and document them. These sources include publicly accessible websites, books and publications, historical artefacts, and other pertinent materials. As a result, a comprehensive index of resources has been compiled and integrated into the website. These resources, if relevant to this article, are listed below.
Reference | Source |
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discogs.com | Website |
officialcharts.com | Website |
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