
One Step Beyond…
OVERVIEW
One Step Beyond…, the debut studio album by Madness, was released in the United Kingdom on October 19, 1979, through Stiff Records under the catalog number SEEZ 17. Arriving at a pivotal moment in the evolution of British music, the album played a central role in the popularization of the 2 Tone genre, a dynamic blend of ska, punk, and pop that emerged in the late 1970s. Coincidentally released on the same day as The Specials’ self-titled debut, One Step Beyond… became an iconic representation of a movement that resonated with youth culture during a time of social and economic turbulence in the UK.
The album features 15 tracks and runs just over 37 minutes, bursting with high-energy rhythms, catchy hooks, and a uniquely British sense of humor. Madness, formed in 1976, brought together talents like Mike Barson on keyboards, Lee Thompson on saxophone, and Mark Bedford on bass, creating a distinct sound that mixed ska’s Jamaican roots with the attitude and humor of British pop. The production, handled by Clanger Winstanley and Alan Winstanley, delivered a crisp and vibrant listening experience. Recording took place at Eden and T.W. Studios, with mixing done at Rushent’s Mansion, contributing to a polished yet raw aesthetic that preserved the band’s live energy.
At the heart of the album lies its title track, “One Step Beyond,” a raucous cover of a song by Jamaican ska pioneer Prince Buster. Its instantly recognizable spoken-word intro—“Don’t watch that, watch this…”—was borrowed from another Buster track, “The Scorcher,” reinforcing the group’s deep admiration for the original ska movement. Other notable tracks include “The Prince,” a direct tribute to Prince Buster and a re-recording of the band’s debut single, and “Madness,” yet another Buster cover that had also been part of their early repertoire. These homages firmly rooted the band in the ska tradition, while their arrangements injected a fresh, modern vitality.
Though rooted in ska, One Step Beyond… was no mere genre exercise. Tracks like “My Girl” and “Bed and Breakfast Man” added emotional depth and pop sensibility, balancing the exuberance of the more frenetic numbers. Lyrically, the album ranged from cheeky tales of urban life to more reflective moments, while always maintaining the band’s trademark playful tone. The briefest of tracks, “Chipmunks Are Go!”, lasts just 51 seconds but adds a dash of eccentric humor that captures the band’s irreverent spirit.
Commercially, the album was a runaway success. It peaked at number 2 on the UK Albums Chart, where it remained for an impressive 78 weeks. Its longevity and appeal earned it a Platinum certification from the BPI, denoting over 300,000 units shipped. Singles from the album, such as “My Girl,” gained traction not only in the UK but also in North America through releases by Sire Records, widening the group’s international audience.
Critics were quick to acknowledge the album’s infectious energy and genre-blending innovation. Reviews often highlighted its joyful irreverence and its refusal to conform to traditional pop structures. One critic described the album as “14 tracks of ska-infused rock filled with helium and good humor,” a fitting summation of its buoyant and occasionally manic pace. On Best Ever Albums, it continues to receive recognition, with favorable rankings and strong user ratings that confirm its lasting resonance.
Beyond its musical merits, One Step Beyond… has become a cultural touchstone. The album cover, featuring the band members in a dynamic, zig-zagging pose, is instantly recognizable and reflects the “nutty” image Madness cultivated. The picture inner sleeve, showcasing a collage of fans dubbed “Nutty Punters,” reinforced the group’s sense of community and fun. Variations in label and track listings—such as some editions naming “Bed & Breakfast” or omitting “Madness” from credits—have become curiosities for collectors and add a layer of intrigue to the album’s legacy.
In conclusion, One Step Beyond… stands as a landmark album that launched Madness into the musical spotlight and helped define an era. With its blend of ska, reggae, and pop, along with memorable tracks and quirky surprises, it remains a high point of British music history. Its enduring appeal is a testament to the band’s creativity, energy, and the cultural moment they so vividly captured.
SINGLES
Cover | Title | Released |
---|---|---|
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The Prince | 08/10/1979 |
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One Step Beyond... | 10/26/1979 |
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My Girl | 12/21/1979 |
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Work Rest and Play | 03/21/1980 |
RELEASE DETAILS
TRACK LISTING
Disc | Position | Track | Version | Duration |
---|---|---|---|---|
1 | A1 | One Step Beyond... | 2:18 | |
1 | A2 | My Girl | 2:44 | |
1 | A3 | Night Boat To Cairo | 3:31 | |
1 | A4 | Believe Me | 2:28 | |
1 | A5 | Land Of Hope & Glory | 2:57 | |
1 | A6 | The Prince | Album Version | 3:18 |
1 | A7 | Tarzan’s Nuts | 2:24 | |
1 | B1 | In The Middle Of The Night | 3:01 | |
1 | B2 | Bed And Breakfast Man | 2:33 | |
1 | B3 | Razor Blade Alley | 2:42 | |
1 | B4 | Swan Lake | 2:36 | |
1 | B5 | Rockin' in A♭ | 2:29 | |
1 | B6 | Mummy’s Boy | 2:23 | |
1 | B7 | Madness | Album Version | 2:38 |
1 | B8 | Chipmunks Are Go! | 0:51 |
CHART HISTORY
Position Date | Position |
---|---|
03/11/1979 | 15 |
10/11/1979 | 16 |
17/11/1979 | 15 |
24/11/1979 | 14 |
01/12/1979 | 15 |
08/12/1979 | 19 |
15/12/1979 | 20 |
22/12/1979 | 21 |
29/12/1979 | 21 |
05/01/1980 | 18 |
MUSICANS
Musican | Instrument | Role | Credit |
---|---|---|---|
Mike (Monsieur Barso) Barson | Keyboards | Band | |
Chris (Chrissy Boy) Foreman | Guitar | Band | |
Lee (Kix) Thompson | Vocals, Tenor Saxophone, Baritone Saxophone | Band | |
Mark (Bedders) Bedford | Bass | Band | |
Daniel (Woody) Woodgate | Drums, Percussion | Band | |
Graham (Suggs) McPherson | Vocals | Band | |
Cathal (Chas Smash) Smyth | Backing Vocals, Vocals | Band |
PRODUCTION CREDITS
Role | Credited | Notes |
---|---|---|
Producer | Clive Langer | |
Producer, Engineer | Alan Winstanley | |
Recording Studio | Eden Studios | |
Recording Studio | T.W. Studios | |
Mixing Facility | Rushent's Mansion | (The Lucky Bleeder) |
Photographer | Cameron McVey | |
Photographer | Chris Gabrin | |
Art Direction | Stiff Art Department |
COPYRIGHT AND Licencing
Ownership | Company | Notes |
---|---|---|
Copyright © | Stiff Records | |
Phonographic Copyright ℗ | Stiff Records |
Representation
Representation | Company | Notes |
---|---|---|
Record Label | Stiff Records | |
Publisher | Melodisc Records Ltd. | |
Publisher | Warner Chappell Music Ltd. | |
Publisher | Copyright Control |
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References
Extensive efforts have been made to gather factual information and knowledge on madness from various sources and document them. These sources include publicly accessible websites, books and publications, historical artefacts, and other pertinent materials. As a result, a comprehensive index of resources has been compiled and integrated into the website. These resources, if relevant to this article, are listed below.
Reference | Source |
---|---|
WIKIPEDIA.ORG | Website |
DISCOGS.COM | Website |
MADNESS.CO.UK | Website |
OFFICIALCHARTS.COM | Website |
Reviews