DISCOGRAPHY SONG LYRICS, VIDEOS & FAN REVIEWS

Michael Caine

Michael Caine

E.R.N.I.E.

E.R.N.I.E.

During their summer tour in 1980, the band previewed another song called 'E.R.N.I.E.', which was Suggs' tribute to premium bonds. Premium bonds are a popular lottery system that was introduced in 1957. The initials 'E.R.N.I.E.' means ...
Hour Of Need

Hour Of Need

The song begins with an unusual harpsichord riff and plucked violin, immediately piquing your curiosity. The verse takes you on a slow, winding journey, reminiscent of a trippy, dreamlike state. The hook, akin to the impact of MJ's "Smooth ...
Elysium

Elysium

Oh My Love

Oh My Love

Chris: I've got so many songs that I've written with Lee that have never seen the light of day, and I didn't want these to get lost. In the end, a lot of mine and Thommo's songs ended up on the 'box set' version of the album. So what happened ...
In The Middle Of The Night

In The Middle Of The Night

The band has a collective memory of Suggs getting the idea for the song from a genuine newspaper article about a knicker thief seeing his own description and photo-fit in the papers and making a dash for it.
Culture Vulture

Culture Vulture

Okay, it’s been over 30 years in the making—well, not really. Though some might try to draw a strange connection to the song once heard in 1996 at Madstock, this is not that tune. The only common thread here is the title, 'Culture Vulture.' ...
So Alive

So Alive

Mike: My wife loved 'So Alive' very much as a demo. I like that song, it's heartfelt. Even though we were having some difficulties, at the same time, creatively, Cathal was in a good place and was writing some really good stuff.
Promises Promises

Promises Promises

Driving In My Car

Driving In My Car

"Driving in My Car" was written by Mike Barson and recorded by Madness. It was released as a stand-alone single on 24 July 1982 and spent eight weeks on the UK Singles Chart, peaking at number four. It reached number 20 on the Australian ...
Memories

Memories

No Reason

No Reason

Let’s dive into the brilliance of ‘No Reason’. This track is a shining gem among Madness's repertoire, radiating with the powerful, evocative lyrics that have become a hallmark of Suggs’s songwriting genius. It doesn't just hold its own; it ...
One Step Beyond…

One Step Beyond…

How different it might have been, though. In the early days, the band played "One Step Beyond" simply as a short instrumental introduction to the main set. Some nights, they played the theme from "Hawaii 5'0". Some nights, they played the ...
Stepping Into Line

Stepping Into Line

"Stepping Into Line" is another tune from Mr Hasler's pen. "John wrote the first half of the words, and I wrote the other half," says Suggs. Chris describes it as "my moment of glory, trying to keep it all together!" Well, it does race away ...
Mad Not Mad

Mad Not Mad

Taller Than You Are

Taller Than You Are

Mark: Ever since Goliath got one in the eye and Jack chopped down the beanstalk, being tall hasn't had too many advantages. OK professional basketball players might disagree. But tell me: Why do ten huge men have to play on such a ...
Grey Day

Grey Day

Mike wrote "the song "Grey Day" before the band became a success in the UK music scene. The first performance came back in 1978 at Acklam Hall, when the band was known as "The North London Invaders."
That Face

That Face

Tomorrow’s (Just Another Day)

Tomorrow’s (Just Another Day)

The Prince (2-Tone Version)

The Prince (2-Tone Version)

Based loosely on Prince Busters 'Earthquake'* this track was taken from a session recorded at the tiny Pathway Studios in Highbury, London. The other 2 tracks recorded were the b side, Madness, and a version of My Girl (with Barso on vocals) ...
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