DISCOGRAPHY SONG LYRICS, VIDEOS & FAN REVIEWS
Period
- All
- 1979-1980 (One Step Beyond)
- 1980-1981 (Absolutely)
- 1981-1982 (Madness 7)
- 1982-1983 (The Rise and Fall)
- 1983-1984 (Keep Moving)
- 1984-1988 (Mad Not Mad)
- 1988-1999 (The Madness)
- 1999-2005 (Wonderful)
- 2005-2009 (The Dangermen Sessions)
- 2009-2012 (The Liberty Of Norton Folgate)
- 2012-2016 (Oui Oui Si Si Ja Ja Da Da)
- 2016-2023 (Can't Touch Us Now)
- 2023... (Theatre Of The Absurd Presents C’est La Vie)
How Can I Tell You
Chris: 'How Can I Tell You' was a Cathal song, but Suggs had something to do with the lyrics. I reggae'd it up a bit and did quite a good riff in the chorus.
Deolali
Chris: I've got so many songs that I've written with Lee that have never seen the light of day, and I didn't want these to get lost. In the end, a lot of mine and Thommo's songs ended up on the 'box set' version of the album. So what happened ...
This Is Where
This is where the Danger begins, This is where the Danger ends, This is where there are no strangers,This is where there are only friends, This is here and now forever, This is us here all together, This is the heart, the soul of the sound, ...
Culture Vulture
Okay, it’s been over 30 years in the making—well, not really. Though some might try to draw a strange connection to the song once heard in 1996 at Madstock, this is not that tune. The only common thread here is the title, 'Culture Vulture.' ...
Calling Cards
Never Knew Your Name
Mike: 'Never Knew Your Name' was an old song that'd been kicking around for ages. After the band broke up in the 80s, I was working with Suggs on a project together. We did quite a lot of recording over a few years, and then he got talked into ...
The Young and the Old
Suggs says the track "The Young and The Old" is about getting drunk in the pub and noticing how old people acted younger as the evening went on. A very astute observation for a man of such tender years!
One Step Beyond…
How different it might have been, though. In the early days, the band played "One Step Beyond" simply as a short instrumental introduction to the main set. Some nights, they played the theme from "Hawaii 5'0". Some nights, they played the ...
You’ll Lose A Good Thing
Suggs: A beautiful Barbara Lynn track, which I only knew from an extremely battered reggae 45 by a girl known only as Audrey, on the Down Town label. In fact it was in such bad condition that bits were inaudible and we had to interpret an ...
Saturday Night, Sunday Morning
Razor Blade Alley
Bands on the Two Tone Label had a following of skinheads. If you judged solely by the song title, "Razor Blade Alley," you might assume it was about mindless violence or football hooliganism.
Going To The Top
Madness
According to the back sleeve of One Step Beyond..., there are seven songs on each side, and at the end of side two, "Mummy's Boy" is swiftly followed by "Chipmunks Are Go!" Imagine the looks of glee on every young rude boy and rude girl's face ...
Shut Up
Solid Gone
Smyth’s Fifties rock’n’roll pastiche, ‘Solid Gone’, possibly motivated by a rock’n’roll rockabilly revival which saw the likes of Matchbox following acts such as Rocky Sharpe & The Replays into the UK charts. Within a month of the release of ...
Night Boat To Cairo
The opening fog-horn sound of Lee's baritone sax certainly conjures up visions of a pea-souper over the English Channel. Still, I'm not sure about the River Nile … and then "it's just gone monsoon," the monsoon being a seasonal wind that ...
Mummy’s Boy
Mark explains that "Mummy's Boy" was written while he was still at school. "It was a chance remark by one of my teachers who told me he still lived at home with his parents. That set me thinking—in fact, I found it quite shocking.
Given the Opportunity
Don’t Quote Me On That
"Don't Quote Me On That" was a commentary on press coverage which had tried to paint the band as racists who supported the National Front (NF). Some of the band's shows had been disrupted by skinhead violence, and, in a 1979 NME interview.
The Business
'The Business' is an instrumental reworking of 'Take It Or Leave It' from the album 'Absolutely'. 'Take It Or Leave It' was inspired by the name of a Roxy Music track and set to quirky music presumably inspired by Sixties spy films. Mike Barson ...
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