DISCOGRAPHY SONG LYRICS, VIDEOS & FAN REVIEWS
Period
- All
- 1979-1980 (One Step Beyond)
- 1980-1981 (Absolutely)
- 1981-1982 (Madness 7)
- 1982-1983 (The Rise and Fall)
- 1983-1984 (Keep Moving)
- 1984-1988 (Mad Not Mad)
- 1988-1999 (The Madness)
- 1999-2005 (Wonderful)
- 2005-2009 (The Dangermen Sessions)
- 2009-2012 (The Liberty Of Norton Folgate)
- 2012-2016 (Oui Oui Si Si Ja Ja Da Da)
- 2016-2023 (Can't Touch Us Now)
- 2023... (Theatre Of The Absurd Presents C’est La Vie)
Powder Blue
Mike: 'Powder Blue' was one of my favourite songs on the album. It was an old song, from back when I'd been working with Suggs, before he decided to do his solo career. He'd given me the lyric and l'd written the tune to it ages ago - it was a ...
Nutty Theme
We didn’t want to be ‘ska’ but to have our own sound,” says Suggs. Both he and Chris say that the “Steptoe & Son” theme was at the front of their minds here, too, along with “Billy Bentley,” a Kilburn & the High Roads song.
No Money
(Don’t Let Them) Catch You Crying
Le Grand Pantalon
Baby Burglar
During the performance, Suggs had a momentary lapse in the lyrics, but it didn't detract from the overall quality of the track. Bedder's bass line stood out beautifully in the mix, adding a solid foundation that enhanced the song's groove. I ...
Cardiac Arrest
Culture Vulture
Okay, it’s been over 30 years in the making—well, not really. Though some might try to draw a strange connection to the song once heard in 1996 at Madstock, this is not that tune. The only common thread here is the title, 'Culture Vulture.' ...
Money Money Money
Calling Cards
Believe Me
"Believe Me" was one of the earliest original songs by Madness. It was written by John Hasler and Mike Barson. Hasler used to write many things, including poems, songs and even the first two pages of a novel. He would give his lyrics to Mike so ...
The Return of the Los Palmas 7
Clive Langer has revealed that with every album, Madness was asked by Dave Robinson to record an instrumental. Following the success of their hit song 'One Step Beyond', he encouraged the band to create more instrumentals. 'Night Boat To Cairo' ...
You Keep Me Hanging On
Mark: People always say, I remember where I was and what I was doing, when I first heard that song. For me, *You Keep Me Hanging On', by The Supremes, is just one of those songs. 1967. Sitting in the kitchen, eating porridge, getting ready to ...
Bed And Breakfast Man
Clive Langer praises the song and describes it as "dead solid, a great song. Barson comes up with something in a melody that no one else does. And he writes a great mundane lyric." It is clear that the song bears the unique style of Mike ...
Dust Devil
Mistakes
According to John Hasler, the band played a two-chord vamp, and the songwriter wrote the lyrics in the next room. On the other hand, Cathal admires the lyrics of "Mistakes," saying that it is an astute and poignant observation of life at a ...
Shadow of Fear
"Shadow Of Fear" is a song that reflects the fear and paranoia of living in London, whether it is real or just imagined. "Not Home Today" is another track with a reggae influence and talks about how people make excuses to cover up the fact that ...
Is There Anybody Out There?
Mike kicks off this track with a Beach Boys-style organ intro that evokes a late '60s vibe, complemented by Chris's gritty guitar riff and subtle saxophone backing. As I listen, I can't help but reminisce about the con artists who used to sell ...
Small World
Chris: I loved 'Small World'. Because it talked about the "magic line" , this overground train-line that connected us all. When we did the book Before We Was We, we realised all these connections that had linked us, like Woody went to the same ...
Leon
Woody: I'd written a song that was a bit Kings Of Leon-ish, rough, straight, lots of guitar. It sounded fucking great. I played it to Nick, because I needed a melody and some lyrics. He said, "All I've got is a chorus: 'I feel like running out ...
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