DISCOGRAPHY SONG LYRICS, VIDEOS & FAN REVIEWS
Period
- All
- 1979-1980 (One Step Beyond)
- 1980-1981 (Absolutely)
- 1981-1982 (Madness 7)
- 1982-1983 (The Rise and Fall)
- 1983-1984 (Keep Moving)
- 1984-1988 (Mad Not Mad)
- 1988-1999 (The Madness)
- 1999-2005 (Wonderful)
- 2005-2009 (The Dangermen Sessions)
- 2009-2012 (The Liberty Of Norton Folgate)
- 2012-2016 (Oui Oui Si Si Ja Ja Da Da)
- 2016-2023 (Can't Touch Us Now)
- 2023... (Theatre Of The Absurd Presents C’est La Vie)
Stepping Into Line
"Stepping Into Line" is another tune from Mr Hasler's pen. "John wrote the first half of the words, and I wrote the other half," says Suggs. Chris describes it as "my moment of glory, trying to keep it all together!" Well, it does race away ...
Burning The Boats
Razor Blade Alley
Bands on the Two Tone Label had a following of skinheads. If you judged solely by the song title, "Razor Blade Alley," you might assume it was about mindless violence or football hooliganism.
Give Me A Reason
Tears You Can’t Hide
The Prince
Based loosely on Prince Busters 'Earthquake'* this track was taken from a session recorded at the tiny Pathway Studios in Highbury, London. The other 2 tracks recorded were the b side, Madness, and a version of My Girl (with Barso on vocals) ...
Theatre Of The Absurd
Madness kicked off their performance with "The Theater of the Absurd," a captivating piece that set the tone for the evening. The Prologue, written and composed by Barson, was performed live on stage against a backdrop of "Waiting for Godot" ...
Madness (2-Tone Version)
According to the back sleeve of One Step Beyond..., there are seven songs on each side, and at the end of side two, "Mummy's Boy" is swiftly followed by "Chipmunks Are Go!" Imagine the looks of glee on every young rude boy and rude girl's face ...
I’ll Complete
Crying
Chris: I've got so many songs that I've written with Lee that have never seen the light of day, and I didn't want these to get lost. In the end, a lot of mine and Thommo's songs ended up on the 'box set' version of the album. So what happened ...
La Luna
Chris: 'La Luna' was the only song I wrote on the album. We'd been playing it live before we recorded it, and [bassist) Graham Bush and Woody had this bit that was quite heavy, and I didn't like it. And we recorded the version on the album, and ...
Hour Of Need
The song begins with an unusual harpsichord riff and plucked violin, immediately piquing your curiosity. The verse takes you on a slow, winding journey, reminiscent of a trippy, dreamlike state. The hook, akin to the impact of MJ's "Smooth ...
(You) Cant Keep A Good Thing Down
Chris: I've got so many songs that I've written with Lee that have never seen the light of day, and I didn't want these to get lost. In the end, a lot of mine and Thommo's songs ended up on the 'box set' version of the album. So what happened ...
Samantha
Close Escape
The song "Close Escape" picks up where its predecessor "In The Middle Of The Night" left off. The story depicts a perverse individual who derives pleasure from making unsolicited calls to women and asking them about their underwear.
Don’t Look Back
Bed And Breakfast Man
Clive Langer praises the song and describes it as "dead solid, a great song. Barson comes up with something in a melody that no one else does. And he writes a great mundane lyric." It is clear that the song bears the unique style of Mike ...
John Jones
Mike: There will always be someone bigger than you, you may not like it but whether you can do anything about it is another question!
Land Of Hope & Glory
Not only did Lee write "Land of Hope & Glory," but he sang it with Suggs, getting just one or two lines in. There was never going to be any argument about that, though. As Clive says, "Lee's songs sounded great.
Disappear
"Disappear" is a track composed by Suggs and Bedders for the Madness album "Absolutely". It is considered to be their most melodic creation and has a Motown-inspired sound. The song begins with a beautiful piano melody from Barson and ...
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