DISCOGRAPHY SONG LYRICS, VIDEOS & FAN REVIEWS
Period
- All
- 1979-1980 (One Step Beyond)
- 1980-1981 (Absolutely)
- 1981-1982 (Madness 7)
- 1982-1983 (The Rise and Fall)
- 1983-1984 (Keep Moving)
- 1984-1988 (Mad Not Mad)
- 1988-1999 (The Madness)
- 1999-2005 (Wonderful)
- 2005-2009 (The Dangermen Sessions)
- 2009-2012 (The Liberty Of Norton Folgate)
- 2012-2016 (Oui Oui Si Si Ja Ja Da Da)
- 2016-2023 (Can't Touch Us Now)
- 2023... (Theatre Of The Absurd Presents C’est La Vie)
Not Home Today
Written by Suggs and Bedders the song 'Not Home Today' has a reggae influence and is about how people make excuses to hide the fact that a family member has been sent to borstal or prison. This theme of a life of crime is also present in ...
Dust Devil
Missing You
My Girl 2
Mike: My wife is from the former Yugoslavia, where they use the phrase "Da" for "yes" So the opening to 'My Girl 2', with everyone shouting "Oui oui, si si, ja ja, da da!" is some chap being very enthusiastic about his girlfriend, so ...
Shame and Scandal
Mike: A complicated tale of matrimonial misadventure penned on the island by none other than Sir Lancelot himself.
Mad Not Mad
Lovestruck
Death Of A Rude Boy
Mike: 'Death Of A Rude Boy' is a great track. I wasn't so mad on the rude boy thing - we were never anything to do with rude boys, it was The Specials that were always going on about rude boys, and some of them had a Jamaican connection so it ...
Tiptoes
The Opium Eaters
Never Ask Twice
Leon
Woody: I'd written a song that was a bit Kings Of Leon-ish, rough, straight, lots of guitar. It sounded fucking great. I played it to Nick, because I needed a melody and some lyrics. He said, "All I've got is a chorus: 'I feel like running out ...
Lola
Lee: 20 years after its release, Chris & myself wrote our inspired version, 'Mistress, Mistress' - it sounded fab but, as agent 1 would say, 'this song is available absolutely nowhere!' Lola obviously had an unearthly effect on myself as ...
Le Grand Pantalon
You’ll Lose A Good Thing
Suggs: A beautiful Barbara Lynn track, which I only knew from an extremely battered reggae 45 by a girl known only as Audrey, on the Down Town label. In fact it was in such bad condition that bits were inaudible and we had to interpret an ...
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