DISCOGRAPHY SONG LYRICS, VIDEOS & FAN REVIEWS
Period
- All
- 1979-1980 (One Step Beyond)
- 1980-1981 (Absolutely)
- 1981-1982 (Madness 7)
- 1982-1983 (The Rise and Fall)
- 1983-1984 (Keep Moving)
- 1984-1988 (Mad Not Mad)
- 1988-1999 (The Madness)
- 1999-2005 (Wonderful)
- 2005-2009 (The Dangermen Sessions)
- 2009-2012 (The Liberty Of Norton Folgate)
- 2012-2016 (Oui Oui Si Si Ja Ja Da Da)
- 2016-2023 (Can't Touch Us Now)
- 2023... (Theatre Of The Absurd Presents C’est La Vie)

Promises Promises

The Business
'The Business' is an instrumental reworking of 'Take It Or Leave It' from the album 'Absolutely'. 'Take It Or Leave It' was inspired by the name of a Roxy Music track and set to quirky music presumably inspired by Sixties spy films. Mike Barson ...

Close Escape
The song "Close Escape" picks up where its predecessor "In The Middle Of The Night" left off. The story depicts a perverse individual who derives pleasure from making unsolicited calls to women and asking them about their underwear.

Sunday Morning

Mummy’s Boy
Mark explains that "Mummy's Boy" was written while he was still at school. "It was a chance remark by one of my teachers who told me he still lived at home with his parents. That set me thinking—in fact, I found it quite shocking.

Lola
Lee: 20 years after its release, Chris & myself wrote our inspired version, 'Mistress, Mistress' - it sounded fab but, as agent 1 would say, 'this song is available absolutely nowhere!' Lola obviously had an unearthly effect on myself as ...

Time For Tea

Keep Moving

Mr. Apples

Skylarking

Primrose Hill

Mistakes
According to John Hasler, the band played a two-chord vamp, and the songwriter wrote the lyrics in the next room. On the other hand, Cathal admires the lyrics of "Mistakes," saying that it is an astute and poignant observation of life at a ...

Nutty Theme
We didn’t want to be ‘ska’ but to have our own sound,” says Suggs. Both he and Chris say that the “Steptoe & Son” theme was at the front of their minds here, too, along with “Billy Bentley,” a Kilburn & the High Roads song.

Girl Why Don’t You?
Suggs: 28 years ago? There was a stall in Berwick St. market, in London's Soho, that sold 45s and had a great selection of Blue Beat records - I would buy as many as I could afford and rush home to play them. The ten second crackle of static ...

Soul Denying
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