DISCOGRAPHY SONG LYRICS, VIDEOS & FAN REVIEWS
Period
- All
- 1979-1980 (One Step Beyond)
- 1980-1981 (Absolutely)
- 1981-1982 (Madness 7)
- 1982-1983 (The Rise and Fall)
- 1983-1984 (Keep Moving)
- 1984-1988 (Mad Not Mad)
- 1988-1999 (The Madness)
- 1999-2005 (Wonderful)
- 2005-2009 (The Dangermen Sessions)
- 2009-2012 (The Liberty Of Norton Folgate)
- 2012-2016 (Oui Oui Si Si Ja Ja Da Da)
- 2016-2023 (Can't Touch Us Now)
- 2023... (Theatre Of The Absurd Presents C’est La Vie)

White Heat

I Chase The Devil AKA Ironshirt
Suggs: I first heard this track on a Lee Perry compilation - it was the last track on a four CD set and what a tremendous thing it is. The music, as always where Mr. Perry is concerned, sounded like it had come from outer space, as did Max ...

Yesterday’s Men

In My Street
This track, unearthed from the archives of the past five years, was penned by Suggs and reflects on living in the same house for 40 years. It first emerged during the 2018 Arena Tour and the 2019 XL Tour. Unfortunately, the track lacks any ...

Overdone
Lee reflects on his relationship with his mother, acknowledging the difficulties that came with it. He caused her a lot of stress in his younger years, but eventually found a passion for playing the saxophone and became quite skilled.

Deolali
Chris: I've got so many songs that I've written with Lee that have never seen the light of day, and I didn't want these to get lost. In the end, a lot of mine and Thommo's songs ended up on the 'box set' version of the album. So what happened ...

Good Times

Mistakes
According to John Hasler, the band played a two-chord vamp, and the songwriter wrote the lyrics in the next room. On the other hand, Cathal admires the lyrics of "Mistakes," saying that it is an astute and poignant observation of life at a ...

Disappear
"Disappear" is a track composed by Suggs and Bedders for the Madness album "Absolutely". It is considered to be their most melodic creation and has a Motown-inspired sound. The song begins with a beautiful piano melody from Barson and ...

The Opium Eaters

Close Escape
The song "Close Escape" picks up where its predecessor "In The Middle Of The Night" left off. The story depicts a perverse individual who derives pleasure from making unsolicited calls to women and asking them about their underwear.

You’ll Lose A Good Thing
Suggs: A beautiful Barbara Lynn track, which I only knew from an extremely battered reggae 45 by a girl known only as Audrey, on the Down Town label. In fact it was in such bad condition that bits were inaudible and we had to interpret an ...

Girl Why Don’t You?
Suggs: 28 years ago? There was a stall in Berwick St. market, in London's Soho, that sold 45s and had a great selection of Blue Beat records - I would buy as many as I could afford and rush home to play them. The ten second crackle of static ...

Solid Gone
Smyth’s Fifties rock’n’roll pastiche, ‘Solid Gone’, possibly motivated by a rock’n’roll rockabilly revival which saw the likes of Matchbox following acts such as Rocky Sharpe & The Replays into the UK charts. Within a month of the release of ...

Hello Sun
Well, let’s have a good old knees up, eh! Sometimes, it’s unmistakably clear that Madness harbours a playful ambition to transform into your friendly neighbourhood Chas and Dave cover band or perhaps even a quirky cabaret act, ’The Last Rag and ...
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