DISCOGRAPHY SONG LYRICS, VIDEOS & FAN REVIEWS
Period
- All
- 1979-1980 (One Step Beyond)
- 1980-1981 (Absolutely)
- 1981-1982 (Madness 7)
- 1982-1983 (The Rise and Fall)
- 1983-1984 (Keep Moving)
- 1984-1988 (Mad Not Mad)
- 1988-1999 (The Madness)
- 1999-2005 (Wonderful)
- 2005-2009 (The Dangermen Sessions)
- 2009-2012 (The Liberty Of Norton Folgate)
- 2012-2016 (Oui Oui Si Si Ja Ja Da Da)
- 2016-2023 (Can't Touch Us Now)
- 2023... (Theatre Of The Absurd Presents C’est La Vie)
Burning The Boats
(Don’t Let Them) Catch You Crying
In the Rain
'In The Rain' was initially relegated to the 12-inch single of 'My Girl' as an 'otherwise unavailble track' but was an overlooked gem, 'In The Rain', which shared much of the same air of pathos as the A-side with its tale of being jilted on a ...
Saturday Night, Sunday Morning
In the City
Close Escape
The song "Close Escape" picks up where its predecessor "In The Middle Of The Night" left off. The story depicts a perverse individual who derives pleasure from making unsolicited calls to women and asking them about their underwear.
Overdone
Lee reflects on his relationship with his mother, acknowledging the difficulties that came with it. He caused her a lot of stress in his younger years, but eventually found a passion for playing the saxophone and became quite skilled.
Waltz Into Mischief
Promises Promises
The Prince
Based loosely on Prince Busters 'Earthquake'* this track was taken from a session recorded at the tiny Pathway Studios in Highbury, London. The other 2 tracks recorded were the b side, Madness, and a version of My Girl (with Barso on vocals) ...
Don’t Quote Me On That
"Don't Quote Me On That" was a commentary on press coverage which had tried to paint the band as racists who supported the National Front (NF). Some of the band's shows had been disrupted by skinhead violence, and, in a 1979 NME interview.
You Said
Suggs says that my memory could be more precise with many songs he wrote with Mike. From what I recall, this tune was written by Mike in the days when we rehearsed in the disused dentist surgery in Finchley. Mike had the title and some of the ...
How Can I Tell You
Chris: 'How Can I Tell You' was a Cathal song, but Suggs had something to do with the lyrics. I reggae'd it up a bit and did quite a good riff in the chorus.
Primrose Hill
My Girl
Elvis Costello, a former Stiff artist, unwittingly provided the musical backbone for “My Girl.” Mike Barson had gone along to the first Stiff Records package tour, which featured Ian Dury and the Blockheads, Nick Lowe, Larry Wallis, Wreckless ...
The Business
'The Business' is an instrumental reworking of 'Take It Or Leave It' from the album 'Absolutely'. 'Take It Or Leave It' was inspired by the name of a Roxy Music track and set to quirky music presumably inspired by Sixties spy films. Mike Barson ...
Madness (2-Tone Version)
According to the back sleeve of One Step Beyond..., there are seven songs on each side, and at the end of side two, "Mummy's Boy" is swiftly followed by "Chipmunks Are Go!" Imagine the looks of glee on every young rude boy and rude girl's face ...
Drip Fed Fred (feat. Ian Dury)
The Young and the Old
Suggs says the track "The Young and The Old" is about getting drunk in the pub and noticing how old people acted younger as the evening went on. A very astute observation for a man of such tender years!
Herbert
Suggs composed Herbert with Mike Barson. Two weeks before "Can't Touch Us Now", the album's release, the song "Herbert" was released as a teaser on 14 October 2016. It was accompanied by an animated lyric video in the style of the album's artwork.
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