DISCOGRAPHY SONG LYRICS, VIDEOS & FAN REVIEWS
Period
- All
- 1979-1980 (One Step Beyond)
- 1980-1981 (Absolutely)
- 1981-1982 (Madness 7)
- 1982-1983 (The Rise and Fall)
- 1983-1984 (Keep Moving)
- 1984-1988 (Mad Not Mad)
- 1988-1999 (The Madness)
- 1999-2005 (Wonderful)
- 2005-2009 (The Dangermen Sessions)
- 2009-2012 (The Liberty Of Norton Folgate)
- 2012-2016 (Oui Oui Si Si Ja Ja Da Da)
- 2016-2023 (Can't Touch Us Now)
- 2023... (Theatre Of The Absurd Presents C’est La Vie)
In The Middle Of The Night
The band has a collective memory of Suggs getting the idea for the song from a genuine newspaper article about a knicker thief seeing his own description and photo-fit in the papers and making a dash for it.
The Harder They Come
Don’t Look Back
Small World
Chris: I loved 'Small World'. Because it talked about the "magic line" , this overground train-line that connected us all. When we did the book Before We Was We, we realised all these connections that had linked us, like Woody went to the same ...
Don’t Leave the Past Behind You
Black and Blue
Mike: I wrote 'Black and Blue' about breaking up with my missus, Sandra. We'd been married for a very long time. That song was about the breakup, and the relief, in some ways, when you've been stuck in the negative spiral that some ...
In The Hall Of The Mountain King
Instrumental
Michael Caine
Lola
Lee: 20 years after its release, Chris & myself wrote our inspired version, 'Mistress, Mistress' - it sounded fab but, as agent 1 would say, 'this song is available absolutely nowhere!' Lola obviously had an unearthly effect on myself as ...
Shadow on the House
Close Escape
The song "Close Escape" picks up where its predecessor "In The Middle Of The Night" left off. The story depicts a perverse individual who derives pleasure from making unsolicited calls to women and asking them about their underwear.
Bed And Breakfast Man
Clive Langer praises the song and describes it as "dead solid, a great song. Barson comes up with something in a melody that no one else does. And he writes a great mundane lyric." It is clear that the song bears the unique style of Mike ...
Time
Powder Blue
Mike: 'Powder Blue' was one of my favourite songs on the album. It was an old song, from back when I'd been working with Suggs, before he decided to do his solo career. He'd given me the lyric and l'd written the tune to it ages ago - it was a ...
You Keep Me Hanging On
Mark: People always say, I remember where I was and what I was doing, when I first heard that song. For me, *You Keep Me Hanging On', by The Supremes, is just one of those songs. 1967. Sitting in the kitchen, eating porridge, getting ready to ...
The Prince
Based loosely on Prince Busters 'Earthquake'* this track was taken from a session recorded at the tiny Pathway Studios in Highbury, London. The other 2 tracks recorded were the b side, Madness, and a version of My Girl (with Barso on vocals) ...
Crying Shame
The song "Crying Shame" was originally released as the B-side of the 7-inch single "Embarrassment". Despite being overlooked initially, the song is considered one of Barson's best works. "Crying Shame" has a Coasters-inspired sound and stands ...
Coldest Day
If I Go Mad
The track is a magnificent piece of music that should have been the first single. Originally debuted during the lockdown in the one-off show "The Get Up!" in late 2022, it quickly stood out. Suggs' vocal delivery is flawless, likely because he ...
How Can I Tell You
Chris: 'How Can I Tell You' was a Cathal song, but Suggs had something to do with the lyrics. I reggae'd it up a bit and did quite a good riff in the chorus.
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