DISCOGRAPHY SONG LYRICS, VIDEOS & FAN REVIEWS
Period
- All
- 1979-1980 (One Step Beyond)
- 1980-1981 (Absolutely)
- 1981-1982 (Madness 7)
- 1982-1983 (The Rise and Fall)
- 1983-1984 (Keep Moving)
- 1984-1988 (Mad Not Mad)
- 1988-1999 (The Madness)
- 1999-2005 (Wonderful)
- 2005-2009 (The Dangermen Sessions)
- 2009-2012 (The Liberty Of Norton Folgate)
- 2012-2016 (Oui Oui Si Si Ja Ja Da Da)
- 2016-2023 (Can't Touch Us Now)
- 2023... (Theatre Of The Absurd Presents C’est La Vie)
Whistle in the Dark
White Heat
The Business
'The Business' is an instrumental reworking of 'Take It Or Leave It' from the album 'Absolutely'. 'Take It Or Leave It' was inspired by the name of a Roxy Music track and set to quirky music presumably inspired by Sixties spy films. Mike Barson ...
Solid Gone
Smyth’s Fifties rock’n’roll pastiche, ‘Solid Gone’, possibly motivated by a rock’n’roll rockabilly revival which saw the likes of Matchbox following acts such as Rocky Sharpe & The Replays into the UK charts. Within a month of the release of ...
You Said
Suggs says that my memory could be more precise with many songs he wrote with Mike. From what I recall, this tune was written by Mike in the days when we rehearsed in the disused dentist surgery in Finchley. Mike had the title and some of the ...
Burning The Boats
Pam the Hawk
Round We Go
The song, written by Woodgate, is a catchy tune that deserves to be released as a single. The backing singers provide a solid hook, and the studio mix boasts a stronger, more heavenly intro than the raw live version. It's likely that Madness is ...
Soul Denying
Believe Me
"Believe Me" was one of the earliest original songs by Madness. It was written by John Hasler and Mike Barson. Hasler used to write many things, including poems, songs and even the first two pages of a novel. He would give his lyrics to Mike so ...
Deolali
Chris: I've got so many songs that I've written with Lee that have never seen the light of day, and I didn't want these to get lost. In the end, a lot of mine and Thommo's songs ended up on the 'box set' version of the album. So what happened ...
You Keep Me Hanging On
Mark: People always say, I remember where I was and what I was doing, when I first heard that song. For me, *You Keep Me Hanging On', by The Supremes, is just one of those songs. 1967. Sitting in the kitchen, eating porridge, getting ready to ...
Shadow of Fear
"Shadow Of Fear" is a song that reflects the fear and paranoia of living in London, whether it is real or just imagined. "Not Home Today" is another track with a reggae influence and talks about how people make excuses to cover up the fact that ...
Set Me Free (Let Me Be)
With his fifth composition on the album, Foreman presents a smooth yet dark track that instantly immerses you into the shadows of lockdown, evoking images of watching the sun and the moon and the seasons pass from the window of an empty room. ...
Mad Not Mad
A Town With No Name
Written by Chris Foreman, who was then the king of B-sides, A Town With No Name was the B-side to the single 'Shut Up' and drew inspiration from the lawless settings of classic Spaghetti Western films. The latter's dramatic and haunting ...
Don’t Quote Me On That
"Don't Quote Me On That" was a commentary on press coverage which had tried to paint the band as racists who supported the National Front (NF). Some of the band's shows had been disrupted by skinhead violence, and, in a 1979 NME interview.
In the Rain
'In The Rain' was initially relegated to the 12-inch single of 'My Girl' as an 'otherwise unavailble track' but was an overlooked gem, 'In The Rain', which shared much of the same air of pathos as the A-side with its tale of being jilted on a ...
Mummy’s Boy
Mark explains that "Mummy's Boy" was written while he was still at school. "It was a chance remark by one of my teachers who told me he still lived at home with his parents. That set me thinking—in fact, I found it quite shocking.
Love Really Hurts
There are no songs based on your filters, please redefine your filter criteria.