DISCOGRAPHY SONG LYRICS, VIDEOS & FAN REVIEWS
Period
- All
- 1979-1980 (One Step Beyond)
- 1980-1981 (Absolutely)
- 1981-1982 (Madness 7)
- 1982-1983 (The Rise and Fall)
- 1983-1984 (Keep Moving)
- 1984-1988 (Mad Not Mad)
- 1988-1999 (The Madness)
- 1999-2005 (Wonderful)
- 2005-2009 (The Dangermen Sessions)
- 2009-2012 (The Liberty Of Norton Folgate)
- 2012-2016 (Oui Oui Si Si Ja Ja Da Da)
- 2016-2023 (Can't Touch Us Now)
- 2023... (Theatre Of The Absurd Presents C’est La Vie)
That Face
Stepping Into Line
"Stepping Into Line" is another tune from Mr Hasler's pen. "John wrote the first half of the words, and I wrote the other half," says Suggs. Chris describes it as "my moment of glory, trying to keep it all together!" Well, it does race away ...
Herbert
Suggs composed Herbert with Mike Barson. Two weeks before "Can't Touch Us Now", the album's release, the song "Herbert" was released as a teaser on 14 October 2016. It was accompanied by an animated lyric video in the style of the album's artwork.
Hunchback of Toriano
Rain
Lee: Though Bruce Ruffin's version was plushly produced, the 'nursery rhyme' middle 8 always annoyed us so this was replaced by a James Bond feel with a dodgy sax solo over her. Trumpeter Simon Wilcox played a slurred, almost drunk-sounding ...
Whistle in the Dark
Long Goodbye
It starts off with the ethereal tones of Tingsha-Tibetan Chimes, instantly conjuring memories of John Lennon's iconic ‘(Just Like) Starting Over’. At first blush, it seems like the tale might belong to Johnny the Horse, who faced similar ...
I’d Do Anything (If I Could)
Oh my goodness! What on earth is going on here? This track has Foreman's signature all over it, instantly conjuring up images of Craggy Island. Did Zoom Boy wrap up an epic binge-watching session of Father Ted? The monotonous drone of "I’d Do ...
Calling Cards
Leon
Woody: I'd written a song that was a bit Kings Of Leon-ish, rough, straight, lots of guitar. It sounded fucking great. I played it to Nick, because I needed a melody and some lyrics. He said, "All I've got is a chorus: 'I feel like running out ...
Time
Land Of Hope & Glory
Not only did Lee write "Land of Hope & Glory," but he sang it with Suggs, getting just one or two lines in. There was never going to be any argument about that, though. As Clive says, "Lee's songs sounded great.
Baby Burglar
During the performance, Suggs had a momentary lapse in the lyrics, but it didn't detract from the overall quality of the track. Bedder's bass line stood out beautifully in the mix, adding a solid foundation that enhanced the song's groove. I ...
Waltz Into Mischief
Benny Bullfrog
Believe Me
"Believe Me" was one of the earliest original songs by Madness. It was written by John Hasler and Mike Barson. Hasler used to write many things, including poems, songs and even the first two pages of a novel. He would give his lyrics to Mike so ...
Disappear
"Disappear" is a track composed by Suggs and Bedders for the Madness album "Absolutely". It is considered to be their most melodic creation and has a Motown-inspired sound. The song begins with a beautiful piano melody from Barson and ...
The Return of the Los Palmas 7
Clive Langer has revealed that with every album, Madness was asked by Dave Robinson to record an instrumental. Following the success of their hit song 'One Step Beyond', he encouraged the band to create more instrumentals. 'Night Boat To Cairo' ...
Take It or Leave It
'Take It Or Leave It' was inspired by the name of a Roxy Music track and set to quirky music presumably inspired by Sixties spy films. Mike Barson mentioned that writing it was mainly a poetic expression of my continuing mental state, though I ...
Solid Gone
Smyth’s Fifties rock’n’roll pastiche, ‘Solid Gone’, possibly motivated by a rock’n’roll rockabilly revival which saw the likes of Matchbox following acts such as Rocky Sharpe & The Replays into the UK charts. Within a month of the release of ...
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