DISCOGRAPHY SONG LYRICS, VIDEOS & FAN REVIEWS
Period
- All
- 1979-1980 (One Step Beyond)
- 1980-1981 (Absolutely)
- 1981-1982 (Madness 7)
- 1982-1983 (The Rise and Fall)
- 1983-1984 (Keep Moving)
- 1984-1988 (Mad Not Mad)
- 1988-1999 (The Madness)
- 1999-2005 (Wonderful)
- 2005-2009 (The Dangermen Sessions)
- 2009-2012 (The Liberty Of Norton Folgate)
- 2012-2016 (Oui Oui Si Si Ja Ja Da Da)
- 2016-2023 (Can't Touch Us Now)
- 2023... (Theatre Of The Absurd Presents C’est La Vie)
Believe Me
"Believe Me" was one of the earliest original songs by Madness. It was written by John Hasler and Mike Barson. Hasler used to write many things, including poems, songs and even the first two pages of a novel. He would give his lyrics to Mike so ...
I Chase The Devil AKA Ironshirt
Suggs: I first heard this track on a Lee Perry compilation - it was the last track on a four CD set and what a tremendous thing it is. The music, as always where Mr. Perry is concerned, sounded like it had come from outer space, as did Max ...
Is There Anybody Out There?
Mike kicks off this track with a Beach Boys-style organ intro that evokes a late '60s vibe, complemented by Chris's gritty guitar riff and subtle saxophone backing. As I listen, I can't help but reminisce about the con artists who used to sell ...
The Business
'The Business' is an instrumental reworking of 'Take It Or Leave It' from the album 'Absolutely'. 'Take It Or Leave It' was inspired by the name of a Roxy Music track and set to quirky music presumably inspired by Sixties spy films. Mike Barson ...
Tomorrow’s Dream
Never Knew Your Name
Mike: 'Never Knew Your Name' was an old song that'd been kicking around for ages. After the band broke up in the 80s, I was working with Suggs on a project together. We did quite a lot of recording over a few years, and then he got talked into ...
Love Really Hurts
Drip Fed Fred (feat. Ian Dury)
No Reason
Let’s dive into the brilliance of ‘No Reason’. This track is a shining gem among Madness's repertoire, radiating with the powerful, evocative lyrics that have become a hallmark of Suggs’s songwriting genius. It doesn't just hold its own; it ...
The Communicator
Soul Denying
Shadow on the House
Tomorrow’s (Just Another Day)
Mumbo Jumbo
Big Time Sister
Chris: I've got so many songs that I've written with Lee that have never seen the light of day, and I didn't want these to get lost. In the end, a lot of mine and Thommo's songs ended up on the 'box set' version of the album. So what happened ...
Give Me A Reason
Night Boat To Cairo
The opening fog-horn sound of Lee's baritone sax certainly conjures up visions of a pea-souper over the English Channel. Still, I'm not sure about the River Nile … and then "it's just gone monsoon," the monsoon being a seasonal wind that ...
Overdone
Lee reflects on his relationship with his mother, acknowledging the difficulties that came with it. He caused her a lot of stress in his younger years, but eventually found a passion for playing the saxophone and became quite skilled.
You’ll Lose A Good Thing
Suggs: A beautiful Barbara Lynn track, which I only knew from an extremely battered reggae 45 by a girl known only as Audrey, on the Down Town label. In fact it was in such bad condition that bits were inaudible and we had to interpret an ...
Elysium
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