DISCOGRAPHY SONG LYRICS, VIDEOS & FAN REVIEWS
Period
- All
- 1979-1980 (One Step Beyond)
- 1980-1981 (Absolutely)
- 1981-1982 (Madness 7)
- 1982-1983 (The Rise and Fall)
- 1983-1984 (Keep Moving)
- 1984-1988 (Mad Not Mad)
- 1988-1999 (The Madness)
- 1999-2005 (Wonderful)
- 2005-2009 (The Dangermen Sessions)
- 2009-2012 (The Liberty Of Norton Folgate)
- 2012-2016 (Oui Oui Si Si Ja Ja Da Da)
- 2016-2023 (Can't Touch Us Now)
- 2023... (Theatre Of The Absurd Presents C’est La Vie)
Land Of Hope & Glory
Not only did Lee write "Land of Hope & Glory," but he sang it with Suggs, getting just one or two lines in. There was never going to be any argument about that, though. As Clive says, "Lee's songs sounded great.
Tears You Can’t Hide
Keep Moving
Lovestruck
The Return of the Los Palmas 7
Clive Langer has revealed that with every album, Madness was asked by Dave Robinson to record an instrumental. Following the success of their hit song 'One Step Beyond', he encouraged the band to create more instrumentals. 'Night Boat To Cairo' ...
Small World
Chris: I loved 'Small World'. Because it talked about the "magic line" , this overground train-line that connected us all. When we did the book Before We Was We, we realised all these connections that had linked us, like Woody went to the same ...
My Girl 2
Mike: My wife is from the former Yugoslavia, where they use the phrase "Da" for "yes" So the opening to 'My Girl 2', with everyone shouting "Oui oui, si si, ja ja, da da!" is some chap being very enthusiastic about his girlfriend, so ...
Herbert
Suggs composed Herbert with Mike Barson. Two weeks before "Can't Touch Us Now", the album's release, the song "Herbert" was released as a teaser on 14 October 2016. It was accompanied by an animated lyric video in the style of the album's artwork.
Bed And Breakfast Man
Clive Langer praises the song and describes it as "dead solid, a great song. Barson comes up with something in a melody that no one else does. And he writes a great mundane lyric." It is clear that the song bears the unique style of Mike ...
Believe Me
"Believe Me" was one of the earliest original songs by Madness. It was written by John Hasler and Mike Barson. Hasler used to write many things, including poems, songs and even the first two pages of a novel. He would give his lyrics to Mike so ...
In The Hall Of The Mountain King
Instrumental
Solid Gone
Smyth’s Fifties rock’n’roll pastiche, ‘Solid Gone’, possibly motivated by a rock’n’roll rockabilly revival which saw the likes of Matchbox following acts such as Rocky Sharpe & The Replays into the UK charts. Within a month of the release of ...
It Must Be Love
A Town With No Name
Written by Chris Foreman, who was then the king of B-sides, A Town With No Name was the B-side to the single 'Shut Up' and drew inspiration from the lawless settings of classic Spaghetti Western films. The latter's dramatic and haunting ...
Tarzan’s Nuts
Practically an instrumental with a few lines of banter to kick it all off, it's hardly surprising that these days, the band has a very shaky recollection of how the song came about.
No Money
Theatre Of The Absurd
Madness kicked off their performance with "The Theater of the Absurd," a captivating piece that set the tone for the evening. The Prologue, written and composed by Barson, was performed live on stage against a backdrop of "Waiting for Godot" ...
Razor Blade Alley
Bands on the Two Tone Label had a following of skinheads. If you judged solely by the song title, "Razor Blade Alley," you might assume it was about mindless violence or football hooliganism.
The Business
'The Business' is an instrumental reworking of 'Take It Or Leave It' from the album 'Absolutely'. 'Take It Or Leave It' was inspired by the name of a Roxy Music track and set to quirky music presumably inspired by Sixties spy films. Mike Barson ...
Wings Of A Dove
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