DISCOGRAPHY SONG LYRICS, VIDEOS & FAN REVIEWS
Period
- All
- 1979-1980 (One Step Beyond)
- 1980-1981 (Absolutely)
- 1981-1982 (Madness 7)
- 1982-1983 (The Rise and Fall)
- 1983-1984 (Keep Moving)
- 1984-1988 (Mad Not Mad)
- 1988-1999 (The Madness)
- 1999-2005 (Wonderful)
- 2005-2009 (The Dangermen Sessions)
- 2009-2012 (The Liberty Of Norton Folgate)
- 2012-2016 (Oui Oui Si Si Ja Ja Da Da)
- 2016-2023 (Can't Touch Us Now)
- 2023... (Theatre Of The Absurd Presents C’est La Vie)

Long Goodbye
It starts off with the ethereal tones of Tingsha-Tibetan Chimes, instantly conjuring memories of John Lennon's iconic ‘(Just Like) Starting Over’. At first blush, it seems like the tale might belong to Johnny the Horse, who faced similar ...

So Alive
Mike: My wife loved 'So Alive' very much as a demo. I like that song, it's heartfelt. Even though we were having some difficulties, at the same time, creatively, Cathal was in a good place and was writing some really good stuff.

Time

Taller Than You Are
Mark: Ever since Goliath got one in the eye and Jack chopped down the beanstalk, being tall hasn't had too many advantages. OK professional basketball players might disagree. But tell me: Why do ten huge men have to play on such a ...

In My Street
This track, unearthed from the archives of the past five years, was penned by Suggs and reflects on living in the same house for 40 years. It first emerged during the 2018 Arena Tour and the 2019 XL Tour. Unfortunately, the track lacks any ...

How Can I Tell You
Chris: 'How Can I Tell You' was a Cathal song, but Suggs had something to do with the lyrics. I reggae'd it up a bit and did quite a good riff in the chorus.

No Money

Big Time Sister
Chris: I've got so many songs that I've written with Lee that have never seen the light of day, and I didn't want these to get lost. In the end, a lot of mine and Thommo's songs ended up on the 'box set' version of the album. So what happened ...

Culture Vulture
Okay, it’s been over 30 years in the making—well, not really. Though some might try to draw a strange connection to the song once heard in 1996 at Madstock, this is not that tune. The only common thread here is the title, 'Culture Vulture.' ...

Whistle in the Dark

Can’t Touch Us Now

Saturday Night, Sunday Morning

The Prince
Based loosely on Prince Busters 'Earthquake'* this track was taken from a session recorded at the tiny Pathway Studios in Highbury, London. The other 2 tracks recorded were the b side, Madness, and a version of My Girl (with Barso on vocals) ...

Israelites
Mike: I was with my brother Dan, we were on our pushbikes, it was the school summer holidays of 1968. We were slowly making our way out of the grime of North London on the long journey to our holiday destination, a railway cottage in Santon ...

Sunday Morning

Tiptoes

Hour Of Need
The song begins with an unusual harpsichord riff and plucked violin, immediately piquing your curiosity. The verse takes you on a slow, winding journey, reminiscent of a trippy, dreamlike state. The hook, akin to the impact of MJ's "Smooth ...

Kitchen Floor
Woody: 'Kitchen Floor' was the first of a bunch of songs I wrote with my brother Nick. He absolutely cannot stop writing songs. He makes things quite simplistic, and his songs can be monotone - he doesn't resolve melodic lines. But that's ...

Black and Blue
Mike: I wrote 'Black and Blue' about breaking up with my missus, Sandra. We'd been married for a very long time. That song was about the breakup, and the relief, in some ways, when you've been stuck in the negative spiral that some ...

Sweetest Girl
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