
Can’t Touch Us Now (Expanded Edition)

OVERVIEW
Can’t Touch Us Now (Expanded Edition), released in May 2024, is a comprehensive reissue of Madness’s 2016 studio album, presenting fans with a revitalized and enriched collection. Known for their infectious blend of pop, reggae, ska, and soul, Madness has long maintained a stronghold in British music, and this reissue serves as both a celebration and an archival offering. The original album, their eleventh studio release, was initially launched in October 2016 and widely praised for its energy, nostalgia, and classic Madness flair. With tracks like “Mr. Apples” and “Good Times,” the album delivered both lyrical wit and rhythmic charm, reminding audiences of the band’s unique storytelling style and vibrant soundscape.
The 2024 edition significantly expands on that foundation, offering a 2CD digipak format that includes a total of 30 tracks—16 from the original release and 14 bonus tracks comprising alternate mixes, demo versions, and instrumental takes. This expansion gives fans a rare glimpse into the band’s creative process, with raw and early versions of songs shedding light on how these tracks evolved from initial ideas to polished recordings. Tracks such as “Mr. Apples (Toerag Mix)” and “Grandslam (Instrumental Demo Version)” illustrate how experimentation and spontaneity are key to Madness’s music-making. The inclusion of a 20-page booklet featuring liner notes and interviews with band members Suggs, Chris, Lee, and Mike also adds depth to the release, providing personal insights and reflections on the album’s creation and legacy.
Historically, Can’t Touch Us Now represented a strong return for Madness following their 2012 album Oui Oui, Si Si, Ja Ja, Da Da. Produced by Clive Langer and Liam Watson, with mixing by Charlie Andrew, the original album fused modern production values with a retro spirit, reaffirming the band’s enduring appeal. Music critics and fans alike appreciated its upbeat tempo and social commentary, while the band’s characteristic London charm remained front and center. The genre-blending elements—ska’s bounce, reggae’s rhythm, and pop’s accessibility—offered something timeless, resonating with older fans while being approachable for new listeners.
The expanded edition builds on that resonance. According to Discogs and the Madness Official Album Store, the 2024 reissue is more than just a rerelease—it’s a deep dive into the band’s artistry. Fans are treated to the raw mechanics of songwriting and production, a rarity in most reissues. Demos and alternate versions highlight subtle lyrical and instrumental changes, revealing how songs were shaped and polished over time. These elements are especially valuable for musicians, producers, or anyone interested in the inner workings of a seasoned band.
Reception of the expanded edition has been positive, especially among fans. While detailed critical reviews remain limited, platforms like Amazon and Spotify feature user feedback that highlights the album’s nostalgic power and fresh presentation. Listeners describe it as vibrant and “highly underrated,” with many noting that the demo tracks add significant value. The album also works as a perfect seasonal listen, especially during the summer months, with its upbeat mood and lyrical whimsy. The expanded edition has managed to bridge the past and present, attracting long-time followers while remaining accessible to newer audiences discovering Madness for the first time.
From a cultural standpoint, Can’t Touch Us Now (Expanded Edition) reinforces Madness’s identity as one of the UK’s most iconic ska-influenced bands. Their ability to evolve while staying true to their roots is on full display here. The reissue doesn’t just revisit past glories—it elevates them. By sharing more than just the final versions of tracks, the band invites listeners into their world, offering something more personal and immersive than a standard album release.
In conclusion, Can’t Touch Us Now (Expanded Edition) is not just a reissue—it’s a rediscovery. It takes a beloved 2016 release and expands it into a broader experience, giving fans 30 tracks of Madness magic. With its thoughtful presentation, rich content, and enduring sound, this 2024 edition stands as both a tribute to the band’s legacy and a treat for anyone eager to dive deeper into their music.
RELEASE DETAILS
TRACK LISTING
Disc | Position | Track | Version | Duration |
---|---|---|---|---|
DISC 1 | ||||
1 | 1 | Can't Touch Us Now | 4:15 | |
1 | 2 | Good Times | 2:54 | |
1 | 3 | Mr. Apples | 3:39 | |
1 | 4 | I Believe | 3:45 | |
1 | 5 | Grandslam | 2:36 | |
1 | 6 | Blackbird | 4:04 | |
1 | 7 | You Are My Everything | 4:09 | |
1 | 8 | Another Version of Me | 2:41 | |
1 | 9 | Mumbo Jumbo | 3:24 | |
1 | 10 | Herbert | 3:58 | |
1 | 11 | Don't Leave the Past Behind You | 2:47 | |
1 | 12 | (Don't Let Them) Catch You Crying | 4:11 | |
1 | 13 | Pam the Hawk | 4:38 | |
1 | 14 | Given the Opportunity | 3:32 | |
1 | 15 | Soul Denying | 5:14 | |
1 | 16 | Whistle in the Dark | 3:32 | |
DISC 2 | ||||
2 | 1 | Mr. Apples | Toerag Mix | 3:29 |
2 | 2 | Grandslam | Instrumental Demo Version | 2:04 |
2 | 3 | Mumbo Jumbo | Demo Version | 3:09 |
2 | 4 | Good Times | Demo Version | 3:04 |
2 | 5 | You Are My Everything | Demo Version | 4:45 |
2 | 6 | Another Version of Me | Demo Version | 3:58 |
2 | 7 | Blackbird | Instrumental Demo Version | 3:04 |
2 | 8 | Herbert | Demo Version | 3:50 |
2 | 9 | I Believe | Demo Version | 3:33 |
2 | 10 | (Don't Let Them) Catch You Crying | Demo Version | 3:26 |
2 | 11 | Pam the Hawk | Demo Version | 3:51 |
2 | 12 | Soul Denying | Demo Version | 5:32 |
2 | 13 | Whistle in the Dark | Demo Version | 3:10 |
2 | 14 | The Last Rag And Bone Man | Demo | 3:34 |
CHART HISTORY
Position Date | Position |
---|---|
10/11/2016 | 5 |
17/11/2016 | 16 |
24/11/2016 | 29 |
01/12/2016 | 37 |
08/12/2016 | 40 |
15/12/2016 | 46 |
22/12/2016 | 39 |
29/12/2016 | 33 |
05/01/2017 | 49 |
12/01/2017 | 60 |
SEE RELATED RELEASES...
Explore the “Related Releases” section to discover rare and exclusive editions of this title — including Alternative Versions, Picture Discs, Deluxe Editions, Bonus Volumes, and Promotional Reissue Sets.
Each release offers something unique: unreleased tracks, bonus material, limited-edition artwork, and collectible packaging. Perfect for collectors and devoted fans, these editions deliver fresh listening experiences and one-of-a-kind treasures.
Alternatively, releases from different countries or re-issues from previous or future years will be grouped under our master release schedule, making them easily accessible and convenient for reference to all issues of the album. If available, a button to the master release will be displayed here.
MUSICANS
Musican | Instrument | Role | Credit |
---|---|---|---|
Mike (Monsieur Barso) Barson | Backing Vocals, Guitar, Piano, Organ, Wurlitzer, Celesta, Mellotron, Glockenspiel | Band | |
Chris (Chrissy Boy) Foreman | Guitar, Mellotron, Synthesizer | Band | |
Lee (Kix) Thompson | Backing Vocals, Vocals, Tenor Saxophone, Jew's Harp | Band | |
Mark (Bedders) Bedford | Bass, Double Bass, Tuba | Band | |
Daniel (Woody) Woodgate | Drums, Programming | Band | |
Graham (Suggs) McPherson | Backing Vocals, Vocals, Percussion, Tambourine | Band | |
Joe Auckland | Trumpet, Banjo | Session Musician | Tracks: 1, 2, 4 to 6, 9 to 11, 15 |
Mike Kearsey | Trombone | Session Musician | Tracks: 1, 2, 4 to 6, 9 to 11, 15 |
Steve Hamilton | Baritone Saxophone | Session Musician | Tracks: 1, 2, 4 to 6, 9 to 11, 15 |
Mez Clough | Percussion | Session Musician | |
Rachel Lander | Cello | Session Musician | |
Charlie Andrew | Wurlitzer | Session Musician | |
Ade Omotayo | Backing Vocals | Session Musician | |
Johnson Etienne | Backing Vocals | Session Musician | |
London Community Gospel Choir | Backing Vocals | Session Musician | |
Amy May | Viola | Session Musician |
PRODUCTION CREDITS
Role | Credited | Notes |
---|---|---|
Producer | Clive Langer | |
Producer, Mixed | Charlie Andrew | |
Mixed | Katie Earl | |
Producer | Liam Watson | |
Producer | Madness | |
Recording Studio | Toe Rag Studios | |
Recording Studio | Iguana Studio | |
Illustrator, Graphic Design | Paul Agar | Design And Layout |
Photographer | Ralph John Perou | |
Orchestrator | Chris (Chrissy Boy) Foreman | Brass: Tracks: 1, 5, 6 |
Orchestrator | Daniel (Woody) Woodgate | Brass: Track: 11 |
Orchestrator | Graham (Suggs) McPherson | Brass: Tracks: 5, 6 |
Orchestrator | Joe Auckland | Brass: Tracks: 1, 2, 5, 6, 9 |
Orchestrator | Lee (Kix) Thompson | Brass: Tracks: 1, 9, 15 |
Orchestrator | Mike (Monsieur Barso) Barson | Brass: Tracks: 4, 10 | Strings: Tracks: 7, 10, 15, 16 |
Orchestrator | Mike Kearsey | Brass: Tracks: 1, 2, 5, 6 |
Orchestrator | Steve Hamilton | Brass: Tracks: 1, 2, 5, 6 |
Orchestrator | Madness | Strings: Tracks: 13, 14 |
Orchestrator | Kirsty Mangan | Strings: Tracks: 1, 7, 10, 13 to 16 |
COPYRIGHT AND Licencing
Ownership | Company | Notes |
---|---|---|
Phonographic Copyright ℗ | Lucky 7 Records | |
Copyright © | Lucky 7 Records | |
Licensed To | BMG Rights Management (UK) |
Representation
Representation | Company | Notes |
---|---|---|
Record Label | BMG |
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References
Extensive efforts have been made to gather factual information and knowledge on madness from various sources and document them. These sources include publicly accessible websites, books and publications, historical artefacts, and other pertinent materials. As a result, a comprehensive index of resources has been compiled and integrated into the website. These resources, if relevant to this article, are listed below.
Reference | Source |
---|---|
madzine.us | Website |
officialcharts.com | Website |
discogs.com | Website |